What’s Permitted if God Doesn’t Exist?

As I mentioned in the last post, Devon and I are reading through Dostoyevsky’s The Brothers Karamazov and by chance I happened to stumble onto a discussion of one of the most famous passages from the book while reading Slavoj Zizek’s How to Read Lacan (the title is a misnomer, I learned nothing about how to read Lacan, but there were some good jokes and interesting observations in there nevertheless). Quoting Lacan, Zizek says:

“As you know, the father Karamzov’s son Ivan leads the latter into those audactious avenues taken by the thought of the clutivated man, and in particular, he says, if God doesn’t exist…–If God doesn’t exist, the father says, then everything is permitted. Quite evidently, a naive notion, for we analysts know full well that if God doesn’t exist, then nothing at all is permitted any longer. Neurotics prove that to us every day.”

The modern atheist thinks he knows that God is dead; what he doesn’t know is that, unconsciously, he continues to believe in God. What characterizes modernity is no longer the standard figure of the believer who secretly harbors doubts about his belief and engages in transgressive fantasies; today we have, on the contrary, a subject who presents himself as a tolerant hedonist dedicated to the pursuit of happiness, and whose unconscious is the site of prohibitions: what is repressed is not illicit desires or pleasures, but prohibitions themselves. ‘If God doesn’t exist, then everything is prohibited’ means that the more you perceive yourself as an atheist, the more your unconscious is dominated by prohibitions that sabotage your enjoyment. (One should not forget to supplement this thesis with its opposite: if God exists, then everything is permitted — this this not the most succinct definition of the religious fundamentalist’s predicament? For him, God fully exists, he perceives himself as His instrument, which is why he can do whatever he wants: his acts are redeemed in advance, since they express the divine will…)

pg. 92, How to Read Lacan

I’m really intrigued by this inversion in part because the supplementary thesis strikes me as hitting on something correct–if one is convinced that one is doing God’s will, then there’s nothing that can’t be justified. This goes for any idea or institution that can play the God role here: if you’re acting on behalf of the people’s will, the glorious revolution, the Reich, or the nation, then, likewise, you are justified in killing, torturing, and imprisoning indefinitely. We in the US know as much based on what we have done and continue to do in the name of protecting the freest nation in the world (Abu Ghraib, Guantanamo, the border prisons, etc.).

But what about the inverted thesis itself? Is there anything true to the claim that if God doesn’t exists that nothing is permitted? I think there is. Dostoyevsky’s main concern in the non-inverted thesis is, I believe, that without a central source of moral authority there would be no source of authority, and, consequently, nothing would be forbidden. The kernel of truth in the inverted thesis is that there being no central source of authority does not entail that there would be no source of authority whatsoever. The fact that there’s no central source is compatible with, for example, there being a plurality of sources of such authority. At its limit, every single person is such a source and the demands and constraints that each person makes on others comes with the moral authority that God himself is thought to have imposed.

One place where Zizek/Lacan agree with Dostoyevsky is that in such a situation the individual can be such a source of moral authority. Where they part is that the latter sees this as a horrifying liberty in the sense that to be one’s source of moral authority is to permit oneself to do anything. This, of course, takes us back to the truth of the supplementary thesis: if anything that is God’s will is justified and if I myself have the authority of God, then anything that is my will is also justified. By contrast, the former two see the same step as a horrifying constraint. But why? I think it’s because they’re sensitive to the fact that even in a situation like this we would extrapolate from the authority we take ourselves to have to the authority that everyone else also has (a rather Kantian move), such that the authority of others would also enter into our considerations. The elimination of a single God would result in as many Gods as there are people, each of which would have the same moral authority as everyone else. In other words, the death of God doesn’t really eliminate him, but only multiplies him (as the old gang slogan goes: “Crips/Bloods don’t die, we multiply”).

The problem here, it should be clear, is partially an epistemic one. When God is around, despite his perpetual game of hide-and-go-seek, we are presented with some clear rules, some clear tasks, and some well-known institutions that tell us how to live. Those institutions and God himself are always watching, it’s true, but we have a more or less clear idea of how to satisfy them and stay in the clear. At least in theory we have a way of figuring out what we need to know so we can structure our lives accordingly and then move along. When God or any central moral authority disappears from the scene and everyone becomes a source of moral authority, one is faced with a seemingly insurmountable epistemic task of figuring out what is permitted and what is forbidden. One is then forced to continually monitor oneself and bring in the eye of the other in an effort to imagine the many Gods that might object to what one is doing–and there’s always the possibility that one has missed something… This, I believe, is what Lacan means when he says that neurotics show us that if God doesn’t exist then nothing is permitted since the neurotic is someone who is obsessed with feelings of guilt, shame, and anxiety. And who could blame them if they truly do think that every one of their thoughts, actions, beliefs, and expressions is subject to innumerable judgments by uncountable Gods!

Now, I don’t want to overstate the importance of this observation nor do I want to imply that I think in some way we would be better off if we believed in a central moral authority. Whatever it is that I’m trying to work through here it’s not a lamentation for a simpler time in which people believed in God–my atheism hasn’t been affected by these considerations and I think anyone who is affected by them in this way was probably a true believer all along. Rather, I merely think that there’s something accurate about our psychology that’s captured by the interplay between these competing theses and that tells us about how we think about the world.

Let me bring this down to earth with a rather pedestrian example. There’s quite a substantial amount of people who have made it into a lifestyle to criticize ‘cancel culture’ (and an equally substantial amount of people who have done the same to defend it). Apart from those people are, I assume, an large group who don’t know where they stand on the benefits or harms of ‘canceling’ people but who feel some amorphous anxiety around it. I think at least part of that anxiety is a result of the dialectic that’s been highlighted: there appears to be no central authority to which we can appeal to with respect to what’s permissible and what is forbidden, but instead a multiplicity of sources that have a certain equal moral authority and which are always watching. This appears to them, I think, as the same insurmountable epistemic problem that we saw earlier: if there’s a central authority then one can learn how to live so as to forget about that authority and move along; if there is no central authority, then one must always monitor oneself to prevent transgression and life becomes a never-ending neurotic fixation (“Am I doing as much as I can to prevent animal suffering?”; “Were my intentions in having that conversation pure or did I have an alternative aim?”; “Did I think about this person in a way that exemplifies a moral failure?” etc.).

I say it appears to them as such because in many cases there is no such epistemic problem. There’s no fundamental epistemic problem with the claim that people shouldn’t say racist things, that the police shouldn’t kill people, that being transphobic causes massive amounts of harm, etc. Nobody should use what I’ve said so far to conclude that there is no legitimate basis for why people are ‘canceled’ or that it’s somehow always unjustified to do so. I believe in the majority of cases, perhaps, ‘canceling’ people serves to highlight some very important concerns that haven’t been taken seriously in the past. Nor should this be read as a defense of people who experience the kind of neurotic anxiety that is unearthed when we act as though God is dead (regardless of whether he is or not). But I do think we can understand those people and that anxiety a little better, and maybe learn about how a decentralized morality of the kind that we engage in now can work (if indeed it can, as I hope it can).

I’ll leave with one final parting thought. Namely, that we shouldn’t dismiss the possibility that it can’t work. It strikes me as true that when push comes to shove and some of the issues I’ve brought out here have come to the front there is always a retreat to a central authority whether that authority be God, the People, the Nation, Reason, Nature, or morality itself. I think we still very much have an urge to centralize and to appeal to something beyond ourselves and to return to the supplementary thesis that allows us to do anything at all if only because we’re doing God’s/the People’s/Morality’s will. Maybe this is a permanent feature of our psychology, maybe it’s something we can change. I’m not sure.

Some Reflections on David Foster Wallace’s “Joseph Frank’s Dostoevsky”

Recently, my partner Devon and I decided to have a little book club during quarantine and to read The Brothers Karamazov by Dostoevsky. She’s never read it and I’ve only read it from cover to cover once, many years ago when I was in high school. Nevertheless, the book made such a strong impression on me that I still consider it the greatest novel ever written–or, in any case, the greatest novel ever written that has been read by me.

On starting this time around I was reminded of David Foster Wallace’s essay on the multi-volume biography of Dostoevsky by Joseph Frank. The essay is partially a review of the latest volume in the series, partially a reflection on what makes Dostoevsky worth reading in general, and partially an indictment of modern literature. With regards to the latter two, Wallace’s central claim is that what makes Dostoevsky great is not only his genius, but also his courage–the courage to really grapple with ideological issues that matter to being a person. By contrast, our contemporary authors not only seem averse to taking such issues seriously, but are also rendered unable to do so by the intellectual milieu in which we find ourselves. After presenting a paradigmatically Dostoevskyan serious passage from The Idiot, he says:

Can you imagine any of our own major novelists allowing a character to say stuff like this (not, mind you, just as hypocritical bombast so that some ironic hero can stick a pin in it, but as part of a ten-page monologue by somebody trying to decide whether to commit suicide)? The reason you can’t is the reason he wouldn’t: such a novelist would be, by our lights, pretentious and overwrought and silly. The straight presentation of such a speech in a Serious Novel today would provoke not outrage or invective, but worse—one raised eyebrow and a very cool smile. Maybe, if the novelist was really major, a dry bit of mockery in The New Yorker. The novelist would be (and this is our own age’s
truest vision of hell) laughed out of town.

This “vision of hell” is one in which we, as producers of literature (and, I presume, insofar as we are also consumers of it, too) are so cynical, so trapped beneath layers of nihilism and irony, that any earnest attempt to tackle such serious topics are met with derision and condescension. This is a feature of the sociology of writing: our books cannot have characters that directly address the heady topics that matter to being a person because our authors cannot be people who produce such characters if they are to continue to be taken seriously as authors. As Wallace suggests, this is partly due to the legacy of Modernism which made it the case that “Serious Novels after Joyce tend to be valued and studied mainly for their formal ingenuity. Such is the modernist legacy that we now presume as a matter of course that “serious” literature will be aesthetically distanced from real lived life.” To produce literature of Dostoevsky’s kind post Modernity is to be a historical anachronism, to be seen as a less-than-fully developed as a writer, as out of fashion, and as quaint or naive as would be a person who attempted to seriously write a modern day Homeric Epic.

In light of this, “writers have to either make jokes of [the serious topics] or else try to work them in under cover of some formal trick like intertextual quotation or incongruous juxtaposition, sticking the really urgent stuff inside asterisks as part of some multivalent defamiliarization-flourish or some such shit.” Wallace, of course, himself does this shit fully self aware of what he’s doing though it’s hard to tell if he’s also being ironic in doing so. If he is, it’s a bitter kind of irony that laments the limitations that he himself has to face as a writer. He wants to address these topics, he recognizes their importance, but he is aware that if they are to be addressed it must be done indirectly, through, once again, formal tricks rather than genuine engagement.

I don’t know enough about contemporary literature to know if Wallace is ultimately correct about this. However, there is something about the earnestness and eagerness of Dostoevsky’s characters that seems to belong to a former era and which would appear too romantic, too blunt, too moralizing in a contemporary setting. It seems incredibly difficult to hold in mind both the contemporary moment and to imagine that in such a moment there could be people who really do take things seriously in the way the characters do. How could one both be concerned with what it means to truly have faith and at the same time live in a world in which we are told that the things that matter are what (until recently at least) the big wet president might tweet? The mind reels. And not because the latter didn’t or doesn’t matter–the effects of those tweets were very, very real–but because they seem so divorced from the former. The very notion of taking these concepts seriously seems silly and unattainable if seriousness itself has taken such a farcical form. How can one even attempt to face the eternal questions if the day-to-day ones seems profoundly puzzling? In that respect Wallace is right to point to the raised eyebrow and wry smile that is likely to accompany such an effort as a dismissive and condescending one which also signals a condemnation of hubris by the one giving it. There are no more Tolstoys or Dostoevskys–there are no Kants, Marxes, or Hegels–and you think you could be one? Stick to the minutia. Try to get at least something small right.

In that respect Wallace is also right to point to Dostoevsky’s courage because it really would be a mark of courage to take on such a task today.

In another respect, however, and in light of what has been said already, I think Wallace is too one sided in his assessment here. Part of what prevents authors from being able to write about such things is not simply the sociology of writing, but the broader world of which it is a sociology. It’s important to note that Dostoevsky’s discussions of the heaviest topics are always put into the mouths of his characters and developed through their conversations with each other–they are not the kinds of direct exposition that Wallace himself puts in asterisks in the essay. It makes sense for the characters to say the kind of things that they say because it makes sense for there to be characters who take such things seriously. In other words, Dostoevsky as a writer is able to write about these things because we–and presumably his contemporary audience–can imagine such people really grappling with those issues. Wallace is right that Dostoevsky’s books are ideological; they are such because his characters are ideological and because they represent people who grapple and struggle with their ideologies in order to make sense of their lives. It is in that context that they appear as truly captivating and full characters.

I’m not sure that in the present moment (and at the moment that Wallace was writing) we are, generally speaking, still such people. This is not to say that we are not ideological–our generation is no more immune to ideology than any previous one and the cogs and gears of our particular capitalist mode of ideology continue to spin at breakneck speed. But it is to suggest that we are not self-consciously ideological in the way that leads us to truly grapple with the questions that are presented before us. We believe things, but do not see ourselves as bound by such beliefs in any way that matters–not in a way that could cause significant prolonged suffering or strife because we have committed to believing in them. As such, if we were to encounter such characters in today’s setting (rather than as a relic of the past) we would find them hard to understand and alienating. And this, I think, is as much a fact about us as it is about the vision of hell that contemporary writers have to live with.

Before I get too carried away, let me say, dear reader, that in passing general judgment on all of us as I have in the previous paragraph, I do not mean to suggest that there are no exceptions to this judgment, either in writing or in vivo. There are people who do take things seriously precisely in the way Dostoevsky’s characters would and for whom the questions that they grapple with are very much pressing ones, and I’m sure there are writers who write of these people as well. Some may even be taken Seriously by others. But, on the whole, I do think that the majority of people are not like this and that perhaps this is to our detriment.

Let me also say that I do not count myself among the Serious people. This reflection serves as much as a confessional to and a condemnation of my own inability to grapple with the questions that truly matter. To say this is perhaps more embarrassing than it normally would be given my pretensions at being a philosopher, who by definition is supposed to be preoccupied with such matters. (Notice that I can’t even bring myself to treat what I’ve spent the last decade of my life’s work as anything other than a pretension! How silly it seems to take it as anything other than that! How could anyone working in the field do otherwise? What hubris!) But it’s true and it doesn’t do any good to pretend otherwise.

The questions that remain are whether it is possible to be otherwise–to live earnestly and authentically with a self-conscious ideology–and whether it would be good to do so. I don’t know the answer to either question.

The Good Death: Some Reflections on Dying Well

Every one of us is going to die, and, for the majority of us, this is going to be a bad thing. There may be some people for whom death would be a good thing, and others whose deaths would be a good thing for us, but, on the whole, I take it as a bit of common sense that death is a bad thing.

Nevertheless, some of us will have better deaths than others, and given that each one of us is guaranteed to die, it seems in our best interest to have a good of a death as possible. But what does it take to have a good death?

Part of this question can be answered by thinking about what it means to have a bad death. Here we can point to a multiplicity of factors that seem important. Some such factors involve our bodily integrity and psychological wellbeing: we don’t want to die a prolonged, painful death, nor do we want to die afraid or completely unaware of where we are or what’s happening.

Other factors, however, involve considerations about our values. For example, we don’t want to die having forgotten about the things or people that mattered in our lives. This is true even if we know that we won’t realize that we’ve forgotten or if we know that forgetting such things won’t be disturbing to us. I take it this is part of what makes the final stages of dementia so disturbing to those who observe them. Not being bothered by the fact that one can’t remember the face of one’s child seems to make that death worse rather than better, and there are few people (if any) who both love their children and would choose to die in this way.

Not only do we want to remember the good things that have happened in our lives, but we also want to be remembered for the good things that we helped bring about. Part of why so many of us don’t want to die alone is, I believe, because to die surrounded by loved ones is to die knowing that one was worthy of being loved and that one will continue to be loved at least for a while. If it matters to us that we’re loved while we’re alive, it seems to also matter to us that we’re loved while we’re dying and after we’ve died.

Likewise, it seems to matter to us that we die in a way that aligns with what we valued in life, or, at the very least, that we don’t die in a way that goes against what we valued. The revolutionary who dies betraying the revolution does not have a good death; the one who dies in service of it arguably does. Similarly, we tend to think that there are cases in which it would be better to die without compromising certain values rather than continue to live having done so (Sophocles’ Ajax is one example; Sartre’s Garcin is another, though for slightly different reasons).

Finally, it seems to make a difference to how we evaluate its quality whether our death is arbitrary or senseless. As it relates to the last point, whether a death is senseless seems to at least sometimes be a factor of whether one died in a way that is relevant to what one valued in life–the death of a Resistance fighter in Nazi France may be regrettable, but because the cause for which the life was given was not senseless, so the death itself also does not appear senseless. The contrast is clear to see when compared with the death of someone trampled during a Black Friday sale or a person who’s killed by a falling tree during a storm.

[There is related sense in which a death can be arbitrary or senseless that has more to do with whether or not it is expected. We do not necessarily think that the death of our very elderly relatives (late 80’s and 90’s, for example) is senseless because we partially expect that it’s simply a matter of course that people of that age die. This is not to say that their deaths do not affect us, and we might think that it’s senseless or arbitrary that they should die rather than someone else of a similar age. But we don’t tend to think that this kind of arbitrariness makes their death worse. By contrast, our intuitions on the matter are radically different when we talk about the death of a child or very young person. There, we can rarely muster any semblance in which the death makes sense or doesn’t appear arbitrary and I think it’s partially due to the fact that we simply don’t expect such people to die.

There are other cases in which deaths seem senseless because although they are expected we have a sense that they could have been avoided. One might think of wartime deaths as such.]

It also seems right to say that all things being equal, the addition of one or more of these factors to another makes a difference to the goodness or badness of the death. All things being equal, a death that is painful and arbitrary is worse than a death that is only arbitrary, and one that is painful, arbitrary, and goes against what the person valued in life is worse than the other two.

How things play out in middling cases is more complicated: for example, all other things being equal, is a painful death better or worse than a lonely death? Is a death accompanied with extreme dementia better or worse than a death accompanied with extreme fear but done for a cause that is in line with one’s value? I don’t know that there’s an easy or straightforward answer to those questions. My suspicion is that our intuitions on the matter will depend on how these features are related to questions about what the person valued in life and those, in turn, will be a matter of what we think is valuable in life.

Consider, for example, the question of whether it is better or worse to die a painful death than a lonely (but painless) one. If we consider the death in question to be that of a miserly misanthrope who never derived an ounce of happiness from the company of others, then it makes sense to say that the better death for him is the lonely and painless one since, all things considered, we can imagine that the loneliness wouldn’t be a source of distress for him. Pain, on the other hand, is by definition something that is distressing to anyone who experiences it, so, given the choice between one kind of death that is not distressing and another that is, it’s better to pick the former rather than the latter.

Nevertheless, we might still think that despite the fact that a lonely death would be better for him given the kind of life he’s lived, it still doesn’t constitute a good death tout-court since we might hold that the kind of life that would lead to that kind of death being good one is itself not a good one. To put the matter another way, certain courses of action may be preferable if one finds oneself in certain terrible situations that would not be preferable at all if one had never been in that situation in the first place.

Note, this is not to say that there are cases in which it’s good that one dies in pain, but rather that there might be cases, given how one has structured one’s life, in which it would be preferable to die painfully, but not alone rather than the other way around. In such cases what would make one death better than another is not that pain becomes a ‘good-making’ feature for that person where it’s not for another, but that dying alone would simply be much worse than dying in pain and, hence, that dying in pain would be better.

The same considerations can be extended to the second question. Namely, given how committed one is to a certain cause, it might be preferable to die for something one believes in while extremely afraid than to die without fear without having any commitments to anything whatsoever. Where we land on that question will be a matter of what kind of life we can imagine the person having and what they valued during it–a person who valued much of anything (if there are indeed such people) other than being distressed might find a death without fear to be preferable to one with it. Nevertheless, even if we accept that this is the case we might still wonder whether having such a good death is worth it if its goodness is only contingent on having a bad life.

I don’t mean for these arguments to be decisive in settling all difficult cases on the subject. There may be some cases in which the grounds for preferring one kind of death over another have nothing to do with the kind of life one has lived or what one has valued in life. There may simply be just horrible ways to die regardless of any such considerations–the agony of dying of rabies, for example, seems to have everything to do with how awful the process is and not with anything about what matters in life (the appeal to the fact that we value not being in agony goes some way here, but it feels like it’s one thought too many). Likewise, just because I’ve pointed out that in some terrible situations one way of dying may be preferable to another doesn’t show that those preferable choices are good. Given the option between a cup of poison and old, moldy bread, it’s preferable to eat the moldy bread, but that shouldn’t make us think for a second that it’s good to eat moldy bread. Likewise, the fact that it might be preferable to die in pain than to die alone shouldn’t make us think that there’s something good about dying in pain (I made this point above, but I’m repeating it so that I’m not misunderstood).

Nevertheless, the fact that the arguments are not decisive with respect to some of the hard cases does not mean that there isn’t something important in general about the connection between what makes for a good death and how one has lived. The simple point is that, I believe, in very many cases what counts as a good death and whether one will be able to have a good death is a function of whether one has had a good life.

If one has not lived a good life, as our misanthrope above has not, then what makes his death good will be limited in certain ways. It could not, for example, be a reflection of how much he is loved or how much he will be missed. If he valued nothing but his own comfort and well-being, then his death cannot be good in the sense that it constitutes a commitment to anything else that might be of value. He might still be able to have a death that is not as bad as it can possibly be if, for example, he avoids dying painfully or under extreme duress, but this doesn’t mean that it will be an unequivocally good death. Indeed, it might be possible that given certain kinds of lives the avenues to such a death are simply closed off (aside: the promise of salvation at one’s deathbed by Christianity leaves always leaves open one such avenue–that this is actually open is something I’ve always been skeptical of, but then again, I’ve never been a believer).

What should we say about the person who has lived a generally good life? Does it follow that if some avenues for a good death are closed off by having a certain kind of bad life that things are better off for the person who has lived well? Sadly, I don’t think that it does. In the first place, it’s not clear that an increase in possible paths towards a good death necessarily translates into a higher probability that one will end on one of those paths. Indeed, if it’s true that one has an unqualifiedly good death only by reaching the end of those paths–i.e. if one achieves a good death not only by valuing certain things, but by having their death constitute an affirmation of those values–then perhaps this only multiples the ways one can fail to have a good death.

Perhaps more troubling, and somewhat related, is the fact that many people think that what makes being dead bad is the fact that death deprives us of whatever is good in life. Thus, it seems to follow that the better our lives go, the more good things death deprives us of and the worse it is for us. If that’s true, then perhaps we can still achieve a good death, but only at the expense of our being dead being much, much worse.

Ain’t that some shit?

Philosophy as Mapmaking

Philosophy as Mapmaking

Indulge me in this extended analogy: a good philosopher is like a good map-maker.

A good map-maker, quite obviously, makes good maps and good maps have certain general features. In the first place, all maps are simplified representations of reality. No map is a true one-to-one representation of reality–such a map, as Borges reminds us, would be entirely useless. Given this first feature, every map has to be selective in what it represents. A good map only includes representations of those features or landmarks that are necessary for achieving the goal of getting around. It does not include minutiae that would make that task difficult, nor does it represent landmarks that are irrelevant. Third, it represents the relevant landmarks in such a way that they are easily recognizable by someone reading the map–there is sufficient similarity between the representation of the Eiffel Tower and the real thing so that one can know when they’ve encountered it in travelling around Paris. Finally, a good map doesn’t just represent the various landmarks, roads, subway stops, but also shows the (spatial) relations that hold between them. We know where Grand Central Station stands in relation to the Penn Station and other stops and that knowledge allows us to understand how we need to get to where we want to go.

The same four features apply in good philosophy. A good philosopher attempts to present the truth in their work, but does not attempt to represent all of reality through it (though perhaps great philosophers manage to do something close to it through their entire oeuvre). Instead, they focus only on certain slices of reality, selectively chosen for specific purposes, which are usually presented as central questions or puzzles to be solved. To do this, they describe different concepts or ideas that help orient us, focusing our attention on only those that are relevant for solving the puzzle or answering the central question. If they do this well, they are able to describe these concepts clearly so that we can recognize and understand them even if we haven’t ‘seen’ them before. And, finally, they not only describe these concepts, but also show us the relation between them, helping us see how one is or is not connected to another.

We want to know what it takes to live a good life. The good philosopher draws our attention to those features of the world that matters to achieving that goal–to happiness, to virtue, to art, to beauty, to value, to excellence; they describe them in such a way that we can orient ourselves with respect to each and recognize them with relation to our goal. Even if we don’t know what virtue is, the good philosopher is able to lead us to find it is by describing something else that we do know about (e.g. happiness), and showing us how it is related to the new unfamiliar thing. Finally, they allow us to see how and why all the things described help us to find the good life.

We can extend this analogy further to point out some ways in which one might fail to be a good philosopher. They might make a ‘map’ in which more than what is necessary is represented–they may rely on a superabundance of concepts or of very specific minute and irrelevant ones that makes the drawing of relations between the important ones difficult or obscure. The poor philosopher might pick the right ‘landmarks’ but describe them so poorly as to not be recognizable by people who encounter them (obtuse, obscure, or unnecessarily technical language does much of the work here; bizarre intuitions, etc.). They might describe everything well, but may fail to show how what is described is relevant to solving the central problem at hand. The perfect theory of reasons may be nice, but if we want to know how to live the good life and can’t see the connection between that theory and the question that concerns us, then it makes little difference. Or, they might describe the relevant concepts very well but fail to show us how they relate to one another (some of Wittgenstein’s philosophy feels this way to me at times–don’t kill me).

Tragically, we may also have ‘maps’ that were perfectly good at one time, but which no longer bear any resemblance to the city in which we find ourselves (perhaps some ancient philosophy of science or political philosophy is such). Or we may have simply forgotten why we wanted to get to Central Park but continue to judge each map on whether it takes us there (e.g. cottage industries, fads, the philosophy that spins out of central figures, etc.).

Likewise, it’s possible to have a fantastic map that isn’t treated as such because we don’t yet realize the purpose for which it is to be used. I suspect much of the history of philosophy is filled the scraps of such maps.

These are, of course, just general rules of thumb that are subject to exceptions. Many of the truly great philosophers have been able to violate them one way or another and nevertheless remain great. Sometimes I think this is because the central puzzles they raise are so interesting that other aspects fall to the side; sometimes it’s because the way they describe things is truly revolutionary; sometimes because they show relations that we never suspected, etc.

Where is God?: Three Readings of “The VVitch”

[NOTE: I’m sitting down to write on the morning after the 2020 election because I’m not in the mood to do much of anything else. It’s a dark time, and in dark times it can feel good to turn to art for a brief respite. As with other movie posts, this one will be full of spoilers, so I recommend watching the film before reading further.]

I saw Robert Eggers’ “The VVitch” (“The Witch”) for the first time a couple of months after it came out on streaming platforms back in 2016. At the time I didn’t think much of it–I remember thinking that the cinematography was great, and that Eggers managed to create a nice, creepy mood, but that, on the whole, it was too slow and uneventful to keep my attention.

After watching it again last week on Halloween I have to say that I must have been in a bad mood or extremely distracted on my first viewing because this movie is just fantastic. Indeed, I can’t relate to my initial judgment at all–yes, the action is slow, but every moment is filled with so much tension that only the most superficial viewer will come out of it thinking it’s uneventful. In other words, I was wrong. It’s hard to admit, but, as the immortal bards of Blink-182 say, I guess this is growing up.

Regardless, I wanted to share what I especially liked about my viewing this time around and what I think makes the movie so effective as a horror film. I’ll do this by offering three connected readings, each of which touches on something profoundly scary. Normally, I would give a plot recap of the film before diving into an analysis, but I’m feeling lazy, so I’ll assume that the reader has seen the film recently. (I direct folks who don’t remember the plot to the film to its wikipedia page which does a good job of summarizing things)


First Reading: The Cruelty of Nature

The first reading is driven by a rather naive question: how much of what we see is supposed to be real? Or, to put the matter another way: “are we meant to believe that by the movie’s own lights there are really witches?” The obvious answer to both seems to be, respectively, “all of it” and, “yes!”, but it’s important to note that there are reasons to doubt this.

Now, there’s the obvious sense in which we know that because we’re watching a movie, what we’re seeing didn’t literally happen in the way it is being presented–the film does not claim to be a documentary, and we’re aware that we’re being invited to participate in a shared fiction. This much goes for any piece of fiction. However, there’s a further sense in which we’re encouraged to take another step from reality insofar as we are explicitly told that the fiction we’re engaging in is a folktale (after all, the full title of the movie is “The Witch: A New England Folktale”). Like fairytales, we know that most folktales are the stuff of myth and legend, and quite often involve impossible characters and scenarios. Furthermore, we also know that the purpose of most folk tales is didactic–to teach, instruct, explain, or moralize–and that they they do this by trading in metaphors and allusions rather than literal descriptions of reality. Thus, to be presented with a story that is framed as a folktale from the beginning is to prime one’s audience to treat the story as just that, and not to take its veracity too seriously. This is true regardless of the fact that folktales treat what they present as quite literally true and is the result of how the framing of the story as a folktale affects how we view it. Thus, I think the fact that Eggers explicitly wants us to remember that we’re engaging with a certain kind of fiction is meant to get us to view the film in that light and its events as metaphors or an exploration of broader themes.

The second reason that we have to doubt the reality of what’s being presented is that despite what we see in the movie, there are alternative plausible explanations for the events in the film. Consider, that for the majority of the film, we see everything through Thomasin’s eyes, and that, crucially, she is deeply affected by the religious indoctrination of her fanatic parents. She’s obviously not as zealous as them, but it’s clear that she understands her world as one that’s nevertheless replete with evil, sin, guilt, and suffering.

Because she makes sense of the world through this framework, it makes sense to reason that she would employ this framework in order to make comprehend the events around her. Thus, the disappearance of her baby brother under her watch is explained by the conjuring up of a witch character who must have taken him away to use for her rituals and not due to a wild animal. Caleb’s death is due to the same witch seducing him in the woods and bewitching him, and not because the boy got lost in the woods, spent a night in the freezing rain, and caught a fever that killed him. William dies not because of an enraged billy-goat and a poorly arranged woodpile, but because Lucifer himself took the shape of Black Philip and butchered him. Indeed, the only death that isn’t explained explicitly through supernatural means is the one for which Thomasin herself is responsible–that of her mother. Yet, what immediately follows Katherine’s death is the scene in which Thomasin seemingly embraces what her mother and father had projected upon her and becomes the witch by signing Lucifer’s book and joining the forest coven. Thus, it is possible that we can interpret the events following Katherine’s death as Thomasin’s complete break with reality and her resignation to the fully embody the role of the corrupted sinner that she had already been saddled with.[2]

On this reading, none of the supernatural elements are real, but they are rather brought in as symbols that represent and rationalize the brutality of Thomasin’s life: misery, scarcity, emotional abuse, sickness, death, and an indifferent, primal nature that surrounds it all.

Taking both of these reasons together we have what I take to be a plausible reading of the movie: it is a folktale about the precarious nature of human life, existential suffering, and our attempts to cope with it. There are no witches and there is no Lucifer–but there’s no need for them either: the hard, unforgiving earth, the beasts of the forest, and the cold climate are enough. We face them at our own peril and under the delusion of our own hubris.


The Second and Third Readings: Where is God?

The first reading is, I think an interesting one, but to pull it off we have to consciously step out of the movie and break the rules that the film tries to set up for us. That is, we have to reason that although it looks like there really are supernatural forces at play and we’re shown that they play an active role in the story, there must be some other explanation for what’s happening. Sometimes such readings are appropriate if given sufficient grounding (I’ve tried to do that in the last section), and, indeed, I’m inclined to say that some movies require that we read them in this way (e.g. satires) or risk missing the point. However, I generally prefer readings that purely stick to the internal logic of the film as it is presented–if the movie says that a radioactive spider can bite a young man and give him super-powers, then we should treat that as fact and give a reading that is as consistent with those facts rather than trying to explain them away by bringing in external considerations. Ideally, as far as I’m concerned, a good analysis of a film is able to do this task first, and is then able to show how when external considerations are brought to such a reading we get a deeper and richer understanding of the film. All of which is to say that I prefer the following two readings as kinds of ‘internal’ readings which can then be further developed by my comments in the first section. But I’m getting carried away…

On a different reading, we start by assuming that all the supernatural elements in the story are real and the characters inhabit a world populated by witches and in which Lucifer has a real and active presence. Of course, all of the other elements of the story are also present–the land is still unforgiving, Thomasin is still unjustly accused of being a witch, etc.

So far this doesn’t get us very far. What’s the movie trying to say if we’re meant to take its supernatural elements literally? Maybe it’s just a morality play about the dangers of the unknown, or the threat of being outside of the community, but I think we can do better.

In particular, we can note that the one supernatural entity whose actions we never see is God’s. We see witches and we see Lucifer himself, but God is mysteriously absent from the film despite the fact that we are lead to believe that every character believes in Him fully and completely. Indeed, what we see of Him is only indirectly reflected through the actions of the family who fill their days with prayers to Him, and who focus on the constant state of sin that offends Him. He exists as an entity that shapes their lives, but is not present in them.

Focusing on God’s absence in the film allows us to give a different reading of the film. Namely, we can see it as a story about how sin affects our relation with God, and, in turn, the nature of the relation between us and God.

Recall, the movie begins with William’s arguably prideful insistence that he is more pious than the townsfolk. This results in their being banished and having to scratch out a living near the edge of the forest despite the fact that, as we find out, William is not a good enough farmer to support the family (Thomasin says the only thing he’s good at is chopping wood and we repeatedly see him chopping wood even when the woodpile is clearly full). This leads directly to the disappearance and death of his youngest son since, presumably, the witch (which we’re treating as real) wouldn’t have stolen him if the baby was not so easily accessible to her. William’s folly doesn’t end there. His inability to understand his own limitations forces him to sell Katherine’s silver cup and lie about it, implicating the young Caleb who covers for his father, and putting the blame squarely on Thomasin who is going to be sent away from her family as a result. This, in turn sets in motion the rest of the events in the movie as the family is tortured by the forces of evil that vist them.

If we look at the events that drive the action through the lens that shapes the characters–that is, from a hyper-religious lens–then we can see it as a story about sin and God’s response to that sin. In other words, God isn’t absent in the story, but has turned His back on the sinners, and in particular on William, whose sin of pride is passed on to his children and wife. It’s worth noting, for example, that Katherine is visited by Lucifer in the form of her children after she admits that her faith in God has lapsed and that that lapse occurred only as a result of William’s pious pride.

On this reading, God is a vengeful God who has abandoned his children to the very real forces of evil.

A slightly different reading in the same vein simply answers the question of “where is God?” by biting the bullet: God’s absent because there is no God. There are witches and there is evil, but there is nothing out there to keep those forces at bay other than luck and the cooperation of other poor souls who can band together to resist it. Having given up society for a non-existent God, William and his family are at the mercy of these forces as soon as their luck runs out.


Why This Makes for Such Good Horror

All three of the readings I’ve given are understandably upsetting and frightening on their own. It’s upsetting to be confronted with the brutal indifference of nature even if there are no “real” witches out there waiting to snatch our babies. It’s also upsetting to put oneself in a situation in which God has turned His back on you because of your folly and in which, because of the lack of His protection, you become the subject of torture by evil forces. And it is also upsetting to realize that the evil might very well be real and that there was never anything that you could have done to prevent it. The latter two can be frightening even for atheists (like myself) who don’t believe in their being a God at all, so long as they are able to step into the shoes of those who do believe, or so long as they can abstract God to be the presence of any kind of force of good or justice in the world. In the first of the latter two, there’s the sense of tragedy that comes with holding that there is some justice out there from which you’re separated by your own actions, and in the second there’s a similar sense of tragedy and desperation in the realization that no such force exists.

In that light, all three cases are frightening because they speak to the lack of power and autonomy that we have in the world to make our lives go well.

However, there’s a further element in the mix that is also present in the film and that I’ve found to be present in almost all good horror films: the uncanny. The presence of this element gives us the freedom to understand why the film is frightening without having to choose one of the three readings presented.

The concept as I’m referring to it is best laid out in Curtis Bowman’s excellent paper “Heidegger, the Uncanny, and Jacques Tourner’s Horror Films” (I couldn’t find a public pdf of the paper, but I’m happy to send one if you email me). Bowman characterizes the uncanny as follows:

The main element of the uncanny is not-being-at-home in the world. We lose, so to speak, our ontological balance and become unsure of ourselves and of our understanding of the world around us. The main form that this can take is the realization that more possibilities exist for action and understanding than we ever though. Perhaps we revise our ideas in light of experiencing the uncanny; perhaps our ideas remain the same. The point is that the experience of uncanniness forces us to appropriate or reject accustomed ways of thinking and acting. In this way, we make some small step towards authenticity.

Bowman, pg. 72

Simply put, we experience the uncanny when we are made to confront the fact that the ways in which we’ve made sense of everything (ourselves included) is up for revision and could be radically different than they appear to us. Needless to say, this is a frightening feeling that, in Heidegerrian terms, results in angst–the urge to flee from that which threatens the (apparently) certain knowledge with which we lead our lives. It forces us to ask: if this character could be so wrong about this (whatever it might be) and if I can understand how someone could be so wrong and not know it, then how certain can I be in how I make sense of everything? As Bowman points out, this might result in some steps towards authenticity in which we try to rectify our behaviors and beliefs, but this isn’t necessary–the confrontation with the possibility is what matters. And this is precisely what the film does.

We can see how the uncanny is at play in each of the three readings as each of them points us to some aspect in which we may have failed to understand ourselves or the world around us. In the first, we are confronted with the possibility that we’ve quite literally misunderstood the world–nature is brutal and unforgiving, and will crush us physically and psychologically if we’re left to deal with it alone. In the second and third, we’ve misunderstood the moral nature of the world and our place in it. Either we realize that we can be abandoned by the goodness in the universe and left to suffer, or we realize that there is no such goodness there to begin with and that we’ve always been alone in our predicament.

Now, I don’t claim that the three readings of the film I’ve presented are the only ones available, but I don’t think any of them are either particularly esoteric or implausible. And I think there’s something about the fact that each of them has the element of the uncanny that makes “The Witch” such an excellent horror movie.

Okay, with that, I’m going to go live deliciously.


[1] He asks the tribunal: “What went we out into this wilderness to find? Leaving our country, kindred, our father’s houses? We have travailed a vast ocean… For what? Was it not for the pure and faithful dispensation of the Gospels and the Kingdom of God?”

[2] We never learn about the fate of the twins, but are lead to believe that they were snatched by the witch.

Sour Grapes and Anxiety

The motivation for this piece is purely personal and highly speculative but is the result of some very concrete circumstances that have been weighing on me for quite a while and which, I believe have a broader scope than my own feelings at the moment. Nevertheless, I’ve restrained myself to speaking strictly from a first-person perspective and make no official presumptions that my position is one that has bearing outside of its narrow scope. As such, the reader should beware that this piece is more self-indulgent than normal and fairly rambling.

The central question that interests me is that of what happens when one finds oneself alienated from a project to which one has devoted a considerable amount of time and energy and through which one has come to understand their own place in the world. For me, this is the project of being an academic philosopher.

How I got wrapped up in this project is, like many such projects that one commits to, quite unclear. I remember that at some point in my early days as an undergraduate I decided that I wanted to pursue philosophy seriously and make a career out of it. Just when that happened and on what grounds I decided to do this, I admit, I have forgotten. The best I can make of it is that I remember finding philosophy more challenging and invigorating than any other subject I had encountered, and thinking that the work being done was important and admirable. Why this vague memory should sustain me through one failed attempt at going to grad school, a master’s degree, and a PhD program is beyond me but I suspect similar stories can be told about other similar projects. I suspect that for many of us, the pursuits of such projects never starts with a clear view of where they’ll end up or how they’ll be possible to complete, but rather with a naive commitment to its fulfillment that eventually becomes a force of habit that we can’t break without feeling that something terribly important would be lost. As I tell my students occasionally when they ask me why I decided to do philosophy, I find myself living with the decisions of a person who I no longer remember for reasons that were never quite clear.

The genetic analysis here does nothing to change the fact that I do find myself living with these decisions, nor does it change the fact that they have given me certain reasons to structure and follow a certain path. That is to say that even if I were to find some long-lost diary which spelled out my initial thinking and judged the reasoning there to be incredibly poor, it wouldn’t change the fact that now, in my fifth year of my PhD I have come to live a certain life that simply wouldn’t make sense outside of this context. All this is to say that the solution to the problem that bothers me isn’t to be found in some initial mistake. Something more must be said.

In the current context, the fact of the matter is that it is becoming more unlikely that a future in the profession is likely to develop. Part of this is due to external circumstances. The political and economic circumstances developing around the COVID-19 epidemic make it unlikely that the university system will have much space for the amount of academics that have been trained within it. Given how universities in the United States are funded and the risky games they have played in modeling themselves after businesses, accepting decades-long cuts to state and federal funding, I just don’t see there being an expansion of jobs in the next decade (at the earliest). Rather, I expect that there will be significant austerity measures that will be taken specifically against the humanities. While I do have some friends who are optimistic that this will be balanced out as professors retire, or who cite the fact that graduate enrollment increases during recessions, I remain skeptical. I simply don’t believe that the vacated positions will be preserved and kept open for younger candidates, nor do I think that the increase in graduate enrollment will spur further expansions of positions. Rather, I suspect that the field will constrict and that the existing faculty will be asked to do more with less.

This is not to say that there will be a complete closing of the humanities just yet. There will still be positions available, but these will be fewer than normal and will drive competition among the candidates to increase such that only the most brilliant, dedicated, and productive scholars will be considered. Those familiar with the process have already seen how the 2008 recession affected application portfolios. The changes that resulted from that recession proved themselves to be permanent and I see no reason to think that this recession will be different (unless, of course, a political, social, and economic revolution occurs that serves to heavily subsidize the academy and its labor. While this is possible, I’m not holding my breath). In short, the crunch that will be the result of this will leave room for geniuses in the field, but probably not much more room for people who are not.

This brings in the other factor that I think is at play. I don’t believe that I’m a genius, nor do I think I have the fortitude of spirit to, say, manage three publications in the next two years. I don’t say this to be modest, but rather as a bit of self-reflective honesty. I’m a clear thinker and a good writer, but at this stage in my development I don’t have the brilliant streaks that would allow me to revolutionize the field. There may be others who have believe they have these streaks, but I have yet to meet them. In any case, if there are people who genuinely have them, they will be fine.

A bigger worry for me is that there may be other people who equally don’t have these streaks of genius, but who through sheer force of will and fortitude are able to achieve what they set out to do. There may indeed be people who are able to spend ten hours a day, every day, reading and writing without being fatigued or worn down, but as I mentioned, I don’t think I’m that kind of person. (Here, perhaps, the origin of that motivation to pursue this kind of life might matter–maybe the spark of inspiration that initially brought them to the discipline still burns bright. But again, I believe if there are such people, they are few and far between)

Along with these two factors is the further fact that in the past five years my understanding of the value of philosophy has shifted quite significantly. I still think the work is incredibly important and I still find myself to be challenged and inspired by reading and writing, but there are certain questions that have come to loom closer to my mind. Namely, I see myself now as much more politically oriented and motivated, which has brought my thinking to spheres that appear much broader and more important than the comparably narrower way of thinking that I’ve had in the past decade. I find myself deeply troubled about the reluctance that academic philosophers have to actually be political and engaged in a world that doesn’t start and stop at the gates of the university.

I also find myself deeply frustrated by the fact that even in their work, philosophers don’t see anything like a full and unified project that goes beyond a single, clearly defined, narrow problem. Writers will spend pages and pages on minutiae, bring criticisms to specific issues, then publish criticisms of those criticisms and pat themselves on the back for contributing to the field while failing to incorporate this dialectic into anything broader. It all feels like noticing and analyzing different parts of a car engine without understanding the car itself or the function that the engine serves.

This should not be seen as an attack on the grounds of the impracticality of philosophy, nor do I think that the value of philosophical thinking must be brought down to some concrete particular that must be addressed. Even when philosophers do address practical concerns they seem so divorced from what they’re writing about in terms of how they live. That is, modern academic philosophy seems to be what is done as separate from life, much in the same way that one might go to work at a factory and crank out widgets only to return home and then switch to an entirely different mode of living.

My frustration shouldn’t be seen as an indictment of any individual philosopher either. I understand the pressures and incentives that generate this kind of behavior and attitude and I don’t blame people for following them. This, I believe is another unfortunate result of the neoliberalisation of the academy in which the publish-or-perish model of merit operates. As far as I’m concerned, I don’t see philosophers as different from other kinds of workers with respect to their livelihood. However, I am frustrated–perhaps at myself–for thinking that things would and should be different here.

My frustration should also not be taken as applying to everyone equally. I’m sure that there are wonderful scholars who are currently doing precisely what I wish would be done. Rather, it’s a general impression. Nor do I intend to imply that I am somehow different in this respect–the little work I’ve done is just as myopic and narrow as anyone else’s (and probably much worse for other reasons!). So, I’m not coming from a position of moral or intellectual superiority. I hope that’s clear.

But let’s return to the problem at hand which can now be put in the form that I’m aware of all these things–the internal and external factors that are at play in making it likely that my project will come to an end–and yet, find myself with the same reasons and life that I’ve had so far.

To put it another way, I find myself realizing that I have certain reasons to be such-and-such a way which find their grounds in who I am (from the inside, as it were), and some very good reasons to think that this is not possible which also find their grounds in who I am (internally and externally, given that despite my psychology I still live in a recession and still have to feed myself).

This raises the rather uninteresting question of which reasons are supposed to be decisive here. The question is uninteresting to me because I think that the obvious answer is both: think hard about which ones are more pressing and go with those. One might say, for example, that this is a bit of bad luck (intrinsic or extrinsic whatever may be the case) and that I should just go with what would make me happiest or whatever. This is fine, but again, uninteresting.

The more interesting question is how one is supposed to live in light of following either of these reasons. In either case something of a great loss seems to be on the line: on the one hand, “making my peace” with not being able to pursue my project leaves me without a basis for which to make sense of what I’m doing. My life loses structure which must be replaced with something else–something towards which my energies are directed and towards which I’m striving. On the other hand, continuing to pursue what may very well be a lost cause (either because of the political and economic conditions or because of my own shortcomings) would preserve this structure, but would itself seem to lack any substance and would be haunted by perpetual doubt and anxiety. One side of me takes the latter solution to be untenable in the long run; another side of me takes the former to be psychologically dangerous. Life is not impossible with either route, but both represents certain real risks that seem incredibly pertinent.

Let’s turn to the route of “making one’s peace” and losing the project. Not only do I take this to be dangerous, but I’m also not sure that it’s the correct one. Despite my thoughts to the contrary earlier, I’m not certain that it’s impossible for me to continue my project of being a philosopher and I’m not sure that my thinking about the matter isn’t a result of reacting to some deep-seated anxiety. That is, I’m not sure that I’m actually incapable of climbing the mountain, or if I’m so scared to climb it that I would retreat to anything that tells me that I shouldn’t. I believe every graduate student who is familiar with the concept of impostor syndrome is familiar with this thought–could we be sabotaging ourselves by not believing and hoping against hope? Perhaps if I could become a different person who wouldn’t be anxious, everything would be okay…

At the same time, a similar problem presents itself from the other direction as well: could the urge to hope against hope simply be another anxiety stemming from the fact that, once again, to be left without a structure, without a project, is to be left without a way to make sense of one’s life?

In this light, the problem of competing reasons reveals itself to be a problem of competing anxieties and complexes. What a horrible and suffocating light it is! Are there people in this condition who possess such-transparency and such honesty that they can look inside and truly say “there is no danger or living reactively for me! I am not pushed by worries or anxieties!”? Where are they? From where do they get this unquestioning confidence?

But maybe I’m being too hard on myself. One could see the problem I’m facing as a problem of growth. A kind person might say that I have grown to be a different person from the person that I was ten, five, or even three years ago, and that the tension that I’m feeling is that of growing out of a certain stage of life and into another. This growth would not be that of superiority–I haven’t transcended academic philosophy–and it may very well be the growth that is compatible with both the internal and external conditions described earlier. That is, it could be a growth of coming to know oneself better and coming to terms with that. Such transitions are by their nature anxiety producing, so it’s not surprising that they take this form. One simply needs to learn to accept the person who one is becoming and all will be fine.

Looking at the problem in this light is much more comforting, but I think it pushes the problem elsewhere. Namely, it assumes that growth of this kind is, at the end of the day, something good–it is not something that should be pushed away or rejected, but, at the very least, tolerated and eventually accepted as an inevitability.

But that’s not something that I can honestly accept. Behind it lies the suspicion that not all growth is good, and that the person who one becomes is not always the person who one should have become or who one should make one’s peace with. It seems just as possible that there are ways that people ‘grow’ that reflect their worst characteristics and that if what I’m experiencing is growth, then its source may very well be laziness, indolence, self-centeredness, and incompetence.

I think if I could remove the doubt that this is the case and if I could know that such a transformation would indeed be a good one, then I would feel much better. But I don’t know how to remove it. Nor do I know the standard by which I would judge whether it is successful or not. Should it be judged from the perspective of the person who started the project? Should it be judged from the perspective of the person who I am to become? In both cases there’s a bias to be deceptive, to look away, to read one’s history differently and inaccurately. And why should either one of these perspectives be favored over the other? Why should the person who I no longer remember be the judge of what I become?–how suffocating! And why should the person I become be the arbiter of whether what they’ve become is worthwhile?–how cruel!

I really don’t know how to solve this problem but I believe it must be solved if there’s anything like a happy life for me in the future. Maybe I’m looking at the matter too naively, or too closely. If so, drop a comment below.

The ‘Moral Element’ in the Reproduction of Labor-Power

This blog post is split into two parts. The first part–this one here–is concerned with an interpretation of a passage at the end of Part I, Volume 1 of Capital dealing with the reproduction of labor-power. My goal is to offer a reading of this passage that is slightly different from what might be (or at least what I take to be) the orthodox reading, but which has significant downstream effects if correct. As such, it is largely an exercise is text interpretation. In part two (forthcoming), I try to show how this small interpretive difference can help us make sense of the tensions that have been brought up in the current COVID pandemic. Those who have little interest in Marxist minutiae can probably skip directly to part two. Otherwise, strap in.

One final note: much of my analysis here is inspired by Bob Wolff’s seminar on Marx. That being said, all mistakes–interpretative or philosophical–are my own.


Photo from Peter Menzel and Faith D’Aluisio’s Hungry Planet: What the World Eats; this is the weekly food allowance of an American family
  1. The Means of Subsistence

The passage I have in mind is a rather long, but not terribly complicated excerpt in Marx’s discussion of labor-power. In any case, I’ll break things down in pieces shortly. Here I quote it in full:

The value of labour-power is determined, as in the case of every other commodity, by the labour-time necessary for the production, and consequently also the reproduction, of this specific article. In so far as it has value, it represents no more than a definite quantity of the average social labour objectified in it. Labour-power exists only as a capacity of the living individual. Its production consequently presupposes his existence. Given the existence of the individual, the production of labour- power consists in his reproduction of himself or his maintenance. For his maintenance he requires a certain quantity of the means of subsistence. Therefore the labour-time necessary for the production of labour-power is the same as that necessary for the production of those means of subsistence; in other words, the value of labour-power is the value of the means of subsistence necessary for the maintenance of its owner. However, labour-power becomes a reality only by being expressed; it is activated only through labour. But in the course of this activity, i.e. labour, a definite quantity of human muscle, nerve, brain, etc. is expended, and these things have to be replaced. Since more is expended, more must be received. If the owner of labour-power works today, tomorrow he must again be able to repeat the same process in the same conditions as regards health and strength. His means of subsistence must therefore be sufficient to maintain him in his normal state as a working individual. His natural needs, such as food, clothing, fuel and housing vary according to the climactic and other physical peculiarities of his country. On the other hand, the number and extent of his so-called necessary requirements, as also the manner in which they are satisfied, are themselves products of history, and depend therefore to a great extent on the level of civilization attained by a country; in particular they depend on the conditions in which, and consequently on the habits and expectations with which, the class of free workers has been formed. In contrast, therefore, with the case of other commodities, the determination of the value of labour-power contains a historical and moral element. Nevertheless, in a given country at a given period, the average amount of the means of subsistence necessary for the worker is a known datum.

Marx, Capital Vol. 1 (Penguin Edition) pg. 274-275 Emphasis mine

As stated, this passage is part of Marx’s broader discussion of labor power as a commodity. Here we learn that labor-power (to hell with the British spelling!) is like every other commodity insofar as its value is determined by the average socially necessary labor needed to reproduce it. And given that labor power is something that can only be done by a living individual, the reproduction of labor-power from one day to the next requires the reproduction of the individual as well.1

To calculate the value of labor-power we have to calculate the value of the average socially necessary labor needed to reproduce the individual. And to calculate that value, we have to account for the average socially necessary labor needed for the means of subsistence which go into reproducing that individual. These means of subsistence are, roughly, that basket of goods that is necessary to replace what was spent in the process of laboring (or, as we find out later, the money equivalent for that basket–c.f. pg. 324). Thus, the means of subsistence is, for example, the food, clothing, shelter, etc. needed to keep someone working from one day to the next, and its value is determined by however much the average socially necessary labor is that goes into reproducing those material goods (bread, shirts, houses, etc.).

Now, of course, the value of each of these goods will itself have a history, such that we get little recursive cycles between the value of labor-power and the value of the means of subsistence. That is, some portion of a loaf of bread is needed to reproduce labor from day one to day two, from day two to day three, and so on (we assume, of course, for the sake of simplicity that this portion is constant); but that portion of that loaf of bread is itself the result of the application of some other amount of labor-power that was previously employed to produce the loaf (and hence that portion of bread), which, in turn, required some portion of bread to be applied, and so on and so on. Now, this series terminates–I leave proof of that for the mathematicians–so at any point in time, we’re able to quantify both the value of labor power and the value of the means of subsistence in terms of each other. This is why Marx says at the end that this is a known datum.

So far so good. However, what Marx says right before he makes the claim that the value of the means of subsistence is a known datum is of special interest. Specifically, Marx tells us that the value of labor-power will be partially a matter of historical and moral contingencies because (part of) what determines it is the value of the means of subsistence..

This reference to history and morality should be enough to perk one’s ears up. What does Marx mean here?

On a deflationary, thin reading of the text, Marx is merely pointing to the fact that, say, the concrete forms that the means of subsistence will vary from place to place based on the particular traditions and history of the location–in one place it will take the form of a meatloaf and a suit; in another it will take the from of a bowl of bean soup and woolen pants; in yet another, for ostensibly moral reasons, it will exclude pork or synthetic clothing, etc. Similarly, the means of subsistence for a society located near the equator will not include warm clothing as what’s necessary to reproduce labor from one day to the next, but a society located in the arctic circle would. And the means of subsistence for an advanced industrial society will be different from those of a purely agrarian one. Nevertheless, regardless of where we go and what culture we look at, each one will be tracking the same thing when it comes to the means of subsistence: namely, what is necessary to reproduce the labor-power of a worker in that society from day to day.

This much seems to be a brute empirical fact: different places have different culinary traditions, different fashion senses, and so on that have been shaped by specific histories peculiar to the area in question. However, I believe there’s a further question regarding whether this is all Marx meant by these remarks. Specifically, it’s once again worth noting that Marx makes explicit note of the fact that it’s the moral element in question and the expectations of the workers as they relate the means of subsistence that makes labor-power different from other commodities.

Crucially, if we take the thin reading then it’s not clear why it shouldn’t apply for every commodity. After all, is it not true that because of historical and perhaps (ostensibly) moral considerations and expectations, different groups take different things to count as tables, chairs, shirts, etc.? Yet, as far as I know, Marx never says that the way would find out the value of a coat is by calculating the average socially necessary labor and then factor in the expectations of the workers regarding their history and moral consideration of coats (the very notion that one can have moral considerations about coats might strike some people as ridiculous, but there are cultures for whom the use of special clothing–hats, hair coverings, etc.–are indeed a matter of morality). In short, this thin reading doesn’t explain the special attention Marx pays to the means of subsistence as making a difference to the value of labor-power.

How are we to understand this remark and especially the fact that what needs to be accounted for are the expectations of “the class of free workers?” Note well, the class of free workers does not constitute the entire society in which those workers labor, but, if the thin reading were correct, there would be no need to distinguish that it’s the expectations of the free workers and their history that must be considered. This seems to point to the notion that Marx had something else in mind.

The Aboubakar family of Darfur province, Sudan, in front of their tent in the Breidjing Refugee Camp, in eastern Chad, with a week’s worth of food.

2. Interlude: Upper and Lower Boundaries

To get at what I think Marx had in mind, we have to take a little detour. I promise we’ll return to the text at the end to tie things together.

Given what has been said so far, one might push back with something like the following view (presented in its own separate box for readability):

Start with some obvious scientific facts. Namely, at least when it comes to food, there is some minimal number of calories that the worker must have access to and be able to consume so that she can continue to labor from day to day (let’s leave out clothing and shelter for the sake of simplicity). This specific minimal number can be known and is a factor one’s biology, the kind of work involved, and the environment. It might vary from location to location and person to person, but in every case there is some brute biological fact about what that number is such that dipping too far below it would make it impossible to do today’s labor tomorrow, and meeting or exceeding it would allow one to labor again. The number itself will vary from job to job (breaking rocks vs. painting a fence), from person to person (a twenty-year-old woman vs. a sixty-year-old man), and from locale to locale in the specific concrete form that it takes (bean soup vs. meatloaf), but it is a determinable number that can be read off solely from the material conditions on the ground. Crucially, it is this caloric number that sets the actual value of the means of subsistence, and, consequently, it is part of what sets the value of labor-power and what determines the fair minimum price at which the capitalist must purchase it (Marx never disagrees that labor-power is purchased at its value!). It’s when the worker labors past that point that exploitation becomes a factor and how the capitalist makes his nut. In the end, the remark about cultural differences and moral elements are really in line with the thin reading–they explain superficial difference between locales, but not much more. To insist otherwise seems to be tantamount to denying that there is such a thing as a bare minimum needed to stay alive, and perhaps even to consider that some people are radically and fundamentally different in their biology.

Now, this view is not entirely wrong–after all, it is true that one can calculate the number of calories in this way, that the body needs a certain amount of calories without which the same kind of labor cannot be reproduced (at least not for long), and that, roughly speaking, human bodies are more or less the same in what they need (it’s not that some of us need bread to eat and others drink boiling vats of carbolic acid).

What’s at stake, however, is whether this view presents us with the full picture and whether this is the only way of calculating the value of the means of subsistence. We can grant that the means of subsistence must have some kind of lower boundary below which they simply can’t function as means of subsistence. But given that anything above this minimum will also reproduce labor-power, the question becomes of where to stop. Let’s look at our options.

It’s obvious where the capitalist will want it to stop. Given the labor theory of value, profit is generated depending on the amount of labor that can be squeezed out of the workers past the amount paid to them for purchasing their labor-power. If the capitalist employs the laborers for 8 hours, paying them only for the equivalent of the one hour of labor that’s needed to reproduce their labor power from one day to the next (i.e. the value of the means of subsistence), then he gets to keep the value generated for himself in the remaining seven hours. All things being equal, it’s clear from this that the longer it takes for the worker to generate the value to cover their needs of subsistence, the less value the capitalist appropriates, and hence, the lower his profit. If it takes six hours instead of one to cover the means of subsistence, then the capitalist only gets to appropriate the value of two hours worth of labor rather than seven. And that makes a big difference! What he would like, qua capitalist of course, is for the ratio of time spent covering the means of subsistence to time spent working for the capitalist to be as small as possible. And given that at least part of how that ratio is calculated is a matter of what the value of the means of subsistence is, the capitalist has a vested interest in making sure that the means of subsistence really are at the limit bare minimum. Thus, he adopts the view above and claims that the fair price for labor-power just is that bare minimum.2

Thus the capitalist reasons. But what should we make of this reasoning? He’s certainly correct insofar as there is a minimum he must pay his workers if he is to make a profit (although, this, too, is possible if there’s a sufficient number of workers waiting in the wings to take over the places of their dead comrades), but does establishing that fact mean that the value of the means of subsistence must be bound to that minimum? No–or rather, it’s not immediately obvious why that should be the case. What it establishes is simply that his profits won’t be as high if he pays beyond that, but unless we accept that the maximization of profits–the capitalist’s raison d’etre–serves as an over-riding consideration, it makes little difference.3

A picture of billionaire ghoul Jeff Bezos’ $165 million mansion

What is of interest to the worker? Presumably, she wants to stop somewhere beyond merely subsisting from day to day, toiling for the capitalist. Even if she must sell her labor, what she wants is a full life replete with all the goods that go along with it. Thus, she might want not just the caloric equivalent needed to work tomorrow, but good food she can enjoy; not just adequate shelter that keeps the elements out, but good housing; not just clothes that haven’t fallen apart, but comfortable clothes that allow her to move freely; she wants healthcare, vacations, time for creative labor, good schools for her kids, a pension, etc. In other words, she wants to have and to reproduce a certain life, the means of subsistence of which are far from the bare minimum.

Let’s suppose that just as there is a lower bound to what the capitalist must provide that represents his interest, there’s an upper bound that the worker can demand that represents her interests. At the very limit, this upper bound would be a scenario in which the worker’s entire time at work is spent generating the value that goes into (re)producing her means of subsistence and spends no time making a profit for the capitalist. The capitalist, obviously, wouldn’t accept this since he would then cease to be a capitalist, and the worker won’t accept anything below the bare minimum (and will only accept the bare minimum if forced). So, if there’s ever going to be an agreement between worker and capitalist it will be between these two limits.4

What’s important to note is that how we settle where to draw the line will be a matter of what counts as the means of subsistence, and this, in turn, will be a matter of what kind of life we aim to reproduce, or rather, what kind of being is to be sustained from day to day. If the kind of life that is to be reproduced is simply the life of a physical entity that is capable of engaging in physical labor (i.e. the kind of life that the capitalist needs), then the means of subsistence will be minimal. If, however, the kind of life that is to be reproduced is one of a robustly healthy, educated, autonomous being that labors (i.e. the kind of life that the worker wants), then the means of subsistence will be much greater.

Crucially, the question of what kind of life is to be reproduced (and hence, what the means of subsistence are to be) is not one that is established by reading off the biology of the worker, her work, etc. Indeed, the question is not settled empirically or descriptively at all! Rather, it is one that is answered only by considering the history of struggle by the free workers.


3. Back to Marx

If this is correct, then we have everything in place to explain what Marx means when he says that the value of the means of subsistence depends “on the conditions in which, and consequently on the habits and expectations with which, the class of free workers has been formed” and why this means that “the determination of the value of labour-power contains a historical and moral element.”

If through its struggles, the working class at a certain locale has come to expect a certain kind of life that goes beyond the bare minimum that the capitalist needs–say, the life that includes healthcare and education on top of a salary equivalent to the minimum caloric intake–then what they will consider as the means of subsistence will be different from a different locale where there are no such expectations. Consequently, the value of the means of subsistence will differ, as will the value of their labor-power as a commodity.

Whether there have been such struggles and whether such expectations have been formed will, in turn, be a matter of the history of the locale and of the workers’ struggle. But it will also include a moral element as well insofar as the life they think they should reproduce is an ethical matter. To take one step further, the value of labor-power (via the value of the means of subsistence) will be a matter of what the workers believe they are entitled to. Given that entitlement is squarely in the realm of the ethical and that the ethical in the Marxist view is roughly settled as a matter of class struggle, the value of labor-power is at least partially a matter of how class struggle has been waged. Likewise, the future value of labor-power will likewise be a matter of how class struggle will be waged. I’ll return to this point shortly.

Before I do that, however, it’s worth noting that this doesn’t change the fact that at any given moment one can indeed calculate both the value of the means of subsistence and the value of labor-power. Both of these remain known data. The reading I’m advocating doesn’t deny this. What it does deny is that there is a fixed, a priori value to the means of subsistence that can be read and universally applied in the way that one could on what I’ve called the thin reading by simply making some simple empirical observations about human biology.


4. Why does this Matter?

One of the upshots of this reading is that it leaves room to understand the importance of action and agitation on the Marxist picture. One of the oldest ‘problems’ found in Marx’s philosophy is that it’s hard to square how to combine its descriptive and prescriptive elements. If the analysis in Capital is correct, then the revolution will come about because of the insurmountable contradictions inherent in the capitalist system itself as crisis after crisis proletarianizes (proletizes?) the masses, which will raise working class consciousness and kick things off. One way of understanding this is that the revolution will come when the material conditions are right, and those conditions will be right when capitalism itself comes to a certain stage of development. If that’s correct, then there’s seemingly no need for revolutionaries apart from what they can do to accelerate the development of capital to the appropriate stage! Indeed, they might even do significant harm if they try to start the revolution before the material conditions are right.

Yet, we also know that Marx’s writings (and his personal life) do not advocate for passivity in the face of encroaching capital, nor do they advocate for the acceleration of capitalism (as far as I’m aware Marx never encourages his readers to become capitalists so that the revolution can come sooner). How are we to square the urge for revolutionary activity and revolutionary organizing (a normative consideration) with what seems to be the purely descriptive nature of Capital?

The answer is, of course, that Capital is not a purely descriptive project and that the passage we’ve been discussing is one of the places where the normative and descriptive meet. Simply put, the descriptive element involves the discussion of the calculation of the value of labor-power via the value of the means of subsistence; the normative element involves the fact that that the value of the means of subsistence is something that is (at least partially) a matter of what the workers choose to do, expect to receive, and fight for.

One task of the revolutionary, then, rests in getting the working class to understand the fact that the value of their labor is, to some extent, a matter of what they’re willing to do and accept.

Acting to agitate in this way is perfectly compatible with the overall claim that capitalism will collapse because of its own contradictions without leading to either passive-ism or accelerationism of capital. How so? In the broadest sense, if what I’ve said is correct, then a capitalist system in which the means of subsistence are significantly robust will be less likely to cope with capitalism’s own crises since the capitalist’s profits will be minimal and less capable of withstanding shocks. This, in turn will accelerate the conflict between workers and capitalists as workers are asked to reduce their quality of life (or, rather, as the kind of life they’re able to reproduce changes) for the sake of the capitalist’s profit. But it does this without accelerating capital itself. As the workers come to see that they have no reason to do this and preserve the capitalist’s profit rather than seizing the means of production themselves and maintaining the kind of life they’ve come to expect to have, their consciousness will be raised, and the conditions will become ripe for revolution.

All this also suggests some clear tactics for what revolutionaries can do. Namely, it suggests that one of the actions that they can take is precisely to agitate workers by drawing their attention the kind of life they want to reproduce as laborers, why they are denied that kind of life, and what they can do to obtain it. Such actions are compatible with more aggressive tactics, with the claim that the state should be violently overthrown, with the claim that citizens should be armed, and even with the claim that the revolutionary party is the vanguard of the proletariat.5 My intention here is not to dull the revolutionary edge, but only to draw attention to how this small change in text interpretation serves to resolve what is taken to be a sticky problem.


There are, I believe, further upshots, but given the length of this post, I’ll leave things here. In the next post I’ll use what I’ve discussed here to make sense of something closer to home. In particular, I’ll argue that the severity of the crisis faced by capital by way of COVID-19 in the US can be understood in terms of the history of what goes in the means of subsistence for workers.


Endnotes

[1] Interestingly enough, this doesn’t mean that the reproduction of labor only requires the reproduction of the individual. Rather, it means that one of the necessary conditions in reproducing labor power is the reproduction of the physical body that provides labor-power. Maybe other things need to be produced or reproduced in order for labor-power to be reproduced. Let’s set that worry aside for now though.

[2] This is not to say that the capitalist can only remain solvent if he pays the minimum for labor. Indeed, at times he may even pay beyond the minimum if he concurrently increases the speed of the work he expects of his workers, introduces new methods of efficiency in the workplace, or adapts some creative accounting practices. By doing this he can increase workers’ wages while maintaining or even increasing his rate of profit. However, he’ll be in a tough spot if there should be a crisis–then the urge to return to profitability will drive wages down towards the minimum needed for pure physical reproduction

[3] The capitalist knows it and this argument is never given in these terms. Rather, the capitalist makes arguments having to do with how the loss of profit stifles innovation, kills the entrepreneurial spirit, or, generally, makes the workers worse off. Ideology shows up in full effect to defend his exploitation. In any case, I’ll leave these arguments to the side.

[4] Of course, this doesn’t mean that there should be such an agreement between worker and capitalist. Indeed, one might think that the capitalist has no grounds on which to claim profit over and above what he puts in as a worker and that anything beyond this minimum is exploitation. Indeed, I’m inclined to think that the demands of the workers are not bound by the preferences of the capitalist at all, but by the limits of what the means of production are able to accomplish. But that’s another matter. Let’s set these worries aside for the moment.

[5] The state may still need to be violently overthrown even if the proletariat has the appropriate level of consciousness; the citizens may still need to be armed if a violent overthrow is necessary; the revolutionary party may still be the vanguard of the proletariat insofar as it serves to help and organize the workers to see their predicament. And so on.

Monogamy, Jealousy, and Private Property

(Supposedly this is the Berenstain’s “green eyed monster.” Looks more to me like a green, eyed-monster to me but whatever)

I just finished Carrie Jenkins’ What Love is: And What it Could Be as part of my dissertation research on intimacy. It’s a quick and interesting read and while Jenkins didn’t have much to say about intimacy (to be fair, few analytic philosophers do), the core proposal that love has both a social and biological nature strikes me as essentially correct. The book also made me reconsider and reassess some of the assumptions I’ve had about the nature of polyamorous relationships and, most interestingly, about what Jenkins calls amatonormativity (the view that holds that a life without romantic love is fundamentally deficient). The book is written for a general audience and I highly recommend it if you want to read some philosophy of love stuff without getting into the weeds or exposing yourself to too much philosophical jargon.

One of the things in particular that struck me while reading Jenkins’ book involves (part of) a discussion on jealousy, marriage, and monogamy. This is the core topic of this post.

Regarding marriage and monogamy Jenkins first notes that traditionally, love and marriage were not socially or conceptually linked, but that marriage has traditionally been “about procreation and the controlled inheritance of property. It was created as a kind of transaction in which fathers could present their daughters to prospective grooms as gifts, prizes, or reward.” (pg. 40). She implies not only that the act of marrying constituted a kind of transaction, but indeed, that the women involved were part of the transaction itself.

This claim is verified by the remarks of an English lord chief justice regarding so-called crimes of passion:

The idea of a crime of passion and the related legal defense of “provocation” have served disproportionately to secure lenience for me who violently killed or injured their adulterous wives and/or the men with whom their wives were being adulterous. The attitudes behind this have a long and sexist history. In England in the early eighteenth century, the lord chief justice called sex with another man’s wife “the highest invasion of property” (because women were property) and said that since “jealousy is the rage of man,” the violent killing of someone caught in the act of committing adultery with one’s wife should not count as murder. In his own, more graphic words, “if the husband shall stab the adulterer, or knock out his brains, this is bare manslaughter.”

pg. 112

I find no grounds (nor seek them) to disagree with Jenkins either about the current and historical function of such legal rules, or about their sexist underpinnings.

What these passages got me thinking about, however, is the link between romantic jealousy and the history of monogamy. Specifically, in light of the chief justice’s remarks, we can paint the following picture: historically (and perhaps currently), women in monogamous marriages have been treated as their husband’s private property. This treatment has come with supposed accompanying property rights of exclusivity. And jealousy is a response to a perceived violation of those supposed rights.

Now, the chief justice makes a couple of assumptions here that I wholeheartedly disagree with–that wives and women are property, that men and husbands actually have property rights over them, that jealousy is a fitting response to a violation of those rights, and that, consequently, acts of violence performed while experiencing acute jealousy are not to be punished as they normally would be. To stress, I disagree with all of these assumptions. However, I do wonder whether something like this picture remains in the back of my head when I think about jealousy.

Let me be explicit: I absolutely hate feeling romantic jealousy and I think I would be better off if I never felt such jealousy. I think it not only tends to show a kind of insecurity in a relationship that I find extremely off-putting, but I also think it’s harmful to the relationship itself, and to the people who feel it or are involved in it. Crucially, I also worry that when I feel it–and I still do feel it from time to time–it’s because I’ve subconsciously internalized these historical sexist norms through which I view my partner as my property. In other words, I worry that being jealous indicates that one views the other as property.

I’ve put this worry in terms of being a cis man inheriting sexist baggage, but I think the worry is one that any person in a monogamous relationship might have. In these broader terms, the worry is simply that to suffer romantic jealousy is to view one’s partner as a piece of property and that this is somehow just baked into monogamy. Indeed, I’ve wondered whether I have always been and continue to be monogamous because I harbor some nebulous, inchoate commitment to this horrible view of treating people like property. I’ve also wondered if polyamorous people are both more moral for being able to be in relationships in which there’s no assumption of mutual propriety, or if they’re just stronger for being jealous but for not seeing that as a reason to change that part of their lives.

At those times when I feel this worry the link between monogamy, jealousy, and possession of the other has never been in question: I feel jealous and I immediately think to myself “this is because you think that this other person belongs to you; stop it! They don’t!” The jump from jealousy to possession has always seemed like a natural one.

But I wonder if this is the correct way to think about romantic jealousy.

To keep focused, let’s consider the case in which one partner in a relationship is jealous that the other is spending some significant time with an ex-lover. When thinking about this case, I was struck by the fact that jealousy in this sense is never a feeling that I attribute towards anything that I own or consider mine. I hold that I own my laptop, but I can say with certainty that I’ve never experienced jealousy towards my laptop or, for that matter, towards anyone using my laptop (with or without my permission). The same goes for my house, my car, and even my body. When these things have been used by someone who didn’t have right to them I’ve felt anger, certainly, but never jealousy.

We come much closer to the matter, I think, when we talk about objects that I feel I should have owned or expected to own, but didn’t. I’ve certainly felt jealous of people who won scholarships that I didn’t, who got into better schools than me, or who had publications in their first year of graduate school. Maybe romantic jealousy is like that and we only need to specify that instead of feeling that we already feel we have some proprietary rights over our partner, we wish we did or feel that we deserve to have such rights. Perhaps in this sense we can say that I’m jealous over my partner spending time with an ex-lover because I think I wish or deserve that she pay attention to me rather that other clown (and, yes, they’re, of course, all clowns). And it still makes sense to say that if one feels that they wish or deserve to have property rights over a person in some respect they treat that person like property as well.

Still, there’s something that sits ill with me about this formulation. In the first place, it seems to me that not all cases of jealousy imply anything like proprietary rights and that the jump between the two is too quick. Consider, again, the jealousy one experiences when a friend gets a windfall of cash (or publishes a paper, or gets into a good school). It’s possible that the object of the jealousy is some particular object over which we have property rights (e.g. the actual money, the printed name in the journal, the acceptance letter), but it seems just as well to say that one is jealous because one wishes that some state of affairs or other applies to oneself. Less stiltedly, we might be jealous because we want something to have happened to us–we want to have been the kind of person who won the lottery, who got into Harvard, etc. In those cases there need not be anything like considerations of property in the background. I suppose some people might claim that they view moments in time or states of affairs as objects that belong to them, but this seems to me to be a stretch (I’d need to hear some arguments to the contrary at least).

The same seems to me to apply to at least some cases of romantic jealousy. When one is jealous that one’s partner is spending time with an ex-lover they’re upset that a certain state of affairs (their spending time with the ex) has occurred rather than a different one (their spending time with their beloved). This, too, might be objectionable, but not on the grounds that there’s an assumption of property rights in the background.

I also think the formulation is ill fitting because it appears to leave out an important dimension of jealousy. One of the reasons I don’t experience jealousy towards the things that I own (or towards the people who use them without my permission) is that those things aren’t agents. At least part of what’s upsetting in situations where romantic jealousy arises is the fact that it at least appears that one’s romantic partner is willingly or actively participating in something you don’t want them to do.

This, too, can be given a property rights reading insofar as it can be interpreted as a wish for someone with agency not to have that agency. In other words, to be jealous of your partner talking with an ex-lover is to wish that your partner was like a laptop or a stereo–without will of their own. Surely there are people who think this way, but I suspect it is far from the norm. Rather, it seems to me that the jealous person wishes that their partner didn’t want to spend time with their ex, or that they wanted to spend time with them instead of their ex.

This might seem like small potatoes, but I think it’s rather important since jealousy in this sense doesn’t express a desire for the other person to become property, or an assumption that they already are property, but rather expresses a desire for the other person to be a different kind of agent–one with a different set of desires and preferences than the ones they actually have. Now, this may itself be a horribly toxic attitude and we might find something problematic about one person wanting their beloved to be fundamentally different (or about feeling so passionate about their beloved being different in some small respect), but the moral problem problem here seems to me to be a different one from the one in which one views the other as property. The moral problem in the latter case is that they’re treating their beloved as an object with no agency; the problem in the former case is that they are overbearing or domineering. The two can overlap, but they need not.

If all this is correct, then it seems that at least in theory there’s some wiggle room between romantic jealousy and viewing others as property. Which I guess is alright.

I honestly don’t know whether in practice this theoretical room is ever enough to take seriously. Maybe there are serious reasons to think that when people experience romantic jealousy they really do think of their partner as property (regardless of how odd this might seem). Maybe there are serious reasons to think that men and women experience romantic jealousy differently; indeed, it would be surprising if there weren’t any differences given how we’re socialized. And maybe it really is true that being monogamous by itself carries with it the baggage of all sorts of horrible stuff. I don’t take myself to have shown any of that is off the table.

But maybe the picture that’s in the back of my head that automatically links monogamy, jealousy, and being a terrible person is also not entirely accurate.

(Yes, all research is me-search. Get over it.)

On Bernie’s Super Tuesday Loss and the Last Minute Voter

It’s been a couple of weeks since the infamous Super Tuesday rally of the Biden campaign which ultimately spelled disaster for Sanders. One of the things that I’ve been pushed on from my centrist friends has been to explain why this event in particular turned out to be so catastrophic. I believe it will be years (if not decades) before we understand the real factors of why the Sanders campaign faltered and why Biden was able to grab the nomination from the jaws of defeat. Nevertheless, what follows is a speculative attempt to explain what happened using some claims that seem at least prima-facie plausible to me. Just how plausible these claims are will, at the end of the day, depend on empirical evidence, so the reader shouldn’t take anything I say as decisive–I, myself, don’t take it to be such.

With all this hedging behind us, I think two factors were of absolute importance to Biden’s surge on ST. The first is the fact that the Democratic Party was able to convince two of the promising centrist democrats to drop out of the race and endorse Biden right before Tuesday.

I. Buttigieg and Klobuchar Drop Out and Endorse Biden

Now, it’s possible that there was no internal coordination to produce this effect and that the two candidates who, mind you, had done quite well in Iowa and New Hampshire (and poorly in Nevada) just happened to lose steam right after South Carolina, but I find that unlikely. Coupled with the fact that Buttigieg is on record as having spoken with both Obama and Biden the night he announced he’s dropping out, I suspect there was some concerted effort to coordinate the time at which the candidates would drop out and whom they would endorse once they do (see also this and this). In other words, it seems very likely that someone could have reached out to both campaigns with some realpolitik advice along the following lines: “It’s possible that you’ll get the nomination, but it’s looking less and less plausible. Bernie’s campaign still seems well funded and yours is losing steam. Furthermore, the upcoming state battles are looking tougher and it’s not likely that you’re going to get a blowout anywhere. At the same time, Joe has gotten a blowout in SC and it’s possible that if we ride this momentum we can consolidate the moderate base. To do that, however, you would need to drop out and endorse him. If you do this your chances of winning will, of course be zero, but your chances of continuing to play a role in the Party or even in the next administration would be quite high. Why not save some face, help us out, and help yourself out in the process?”

Now, clearly, I don’t know that anything like this happened, and I want to stress that even if it did happen, there’s nothing necessarily shady about making such an argument. At least in the way I’ve tried to present it, we’re not talking about some shadowy deal that was made with dark money or that promises were exchanged for dropping out and endorsing Biden. Indeed, I think the argument could have been made gently, from a perspective of preserving unity within the party, and without anything exceptionally fucked up happening. While I do think that there was an establishment bias against Bernie during the whole campaign, I don’t think we need to posit anything like an overarching cabal of nefarious agents acting against him in every turn in order to explain his failure as a candidate.

It is also possible that there was no internal coordination on behalf of the party, but that there was simply enough party unity and discipline so that Buttigeig and Klobuchar were able to read the writing on the wall and to reason in the way described above. They need not have had someone explain to them that their campaigns were unlikely to succeed, and that if the democratic party was going to rally behind an establishment candidate dropping out before Super Tuesday and endorsing the same person would be vital.

In either case, whether by a coordinated internal effort or some speculative prognostication about the coming races, the fact that both candidates (and I guess Tom Styer) dropped out and endorsed Biden so quickly before ST made a huge difference.

II. Last Minute Voters: Some Facts and Some Speculation

I believe it matters because data seems to suggest that it was last minute voters (LMVs) who swung for Biden on Super Tuesday. This is the second factor that matters. The important thing to note about LMVs is that they are people who had not made up their mind about who to vote for until a few days before the election, or, in some cases, quite literally not until they entered the voting booth.

Different outlets tend to interpret LMVs in different ways, but almost always they tend to assume that they can be understood in terms of some kind of preexisting ideology that made their decision. Consider, for example, this description from an AP article:

Moderates and conservative accounted for the majority of Democratic voters in most of the seven states, just as they had in previous contests in Iowa, New Hampshire and South Carolina. 

Those primary voters also generally preferred a presidential candidate who would pursue practical centrist policies rather than one who would champion bold liberal policies. 

“AP: Many Democratic Voters Made Last-Minute Picks”

or this quote from NPR

Similarly, moderate and conservative voters preferred Clinton by 9 points in 2016. This year, they preferred Biden by 37 points.

“Here Are The Voters Who Powered Biden To His ‘Big Tuesday’ Wins”

or the FiveThirtyEight article linked above which has as its main takeaway the following:

Thirty-nine percent of late deciders said they were moderate, compared with 27 percent of those who had decided earlier. They were also somewhat more likely to say they wanted a candidate who could defeat Trump more than one who agreed with them on most issues.

“What We Know About The Voters Who Swung Super Tuesday For Biden”

What this kind of analysis suggests is that LMVs have a certain ideological commitment (they’re moderates) and that this ideological commitment is what drives their decision to vote. Thus, their last-minute decision is supposed to be a factor of some uncertainty about whether any of the particular candidates actually fits in with their particular ideology. This, too, is reflected in the articles cited above (though not necessarily in the quotes I picked out here).

This isn’t a terrible assumption for at least two reasons. First, it’s not implausible to think that one’s ideological commitments guide how one votes and for giving reasons to an individual to vote one way or the other. If I’m a committed socialist, then the fact that I’m a socialist gives me reason to do x, y, and z, and if you see me doing this, it’s a reasonable assumption that I did such-and-such because I’m a committed socialist. Second, most people who pay close attention to politics, who bother to read the articles cited above, or who bother to run these studies do indeed have ideological commitments and vote on that basis. So, it doesn’t seem absurd to assume that if most last minute voters are moderates, then their last minute decision on how to vote is driven by their moderate ideology and has something to do with the internal logic of that ideology (“Is Bernie or Biden more likely to match my kind of preference for social and political change? I don’t know yet, I need more time to think…”)

However, this kind of thinking doesn’t rule out the either possibility that last minute voters do not have ideological commitments or that their choice in voting is not driven by their ideology. I believe more than anything, this is the situation with most LMVs.

Now, if this is to make sense, I have to offer you some kind of error theory about how this could be the case. I think there is such a theory in the offing and I’ll offer it shortly, but I want to stress that my claims here are open to empirical confirmation or dis-confirmation (what I’m offering is an armchair argument, but I don’t pretend that it’s a priori). That being said, with respect to both the claim that LMVs might not have political ideological commitments and with the claim that their particular ideology might not drive their voting behavior, I think my arguments will be fairly straightforward.

Indeed, it seems to me that the only people who insist that voting behavior is always driven by a conscious commitment to an ideological position are precisely those people who have such positions or who view voting behavior as necessarily driven by such positions. Again, if you’re a hardcore Conservative, Liberal, Socialist, Fascist, or whatever, it’s hard to imagine that it could be otherwise. My suspicion, however, is that the vast majority of voters do not bother to take their political lives seriously enough to constitute anything like an ideological commitment. I suspect that most folks in the States don’t think of politics in the hyper-focused way that those of us who have gotten a certain strain of brain disease do. Most people don’t fight with strangers on Facebook over politics, check their Twitter all the time to see what the President has posted, write letters to their congresspeople, host reading groups to discuss political theory, or march in rallies. For most people, I suspect, politics is something that exists in between the things that really matter in their lives–food, healthcare, daycare, sending money to elderly parents, sports, etc. When such things happen to be made explicitly political they’ll decide on those issues (“M4A seems to be a hot issue, I should probably decide how I feel about it. I don’t want to pay for anyone else’s healthcare–I’m already struggling as it is. I’m against it.”), but this is far from constituting an ideological position from which they decide how to vote. Rather, it constitutes one of any number of issues on which they’ve made a decision, collected as so many potatoes in a sack of potatoes.

I am convinced that such people exist, if only because I’ve met people like this. I think this way of thinking is neither absurd nor irrational and I don’t mean to imply otherwise. It makes sense that if you’re not terribly interested in politics or if you don’t see how the things in your life are directly impacted by politics, you wouldn’t develop a comprehensive decision procedure about political matters. Here an analogy might help. I like movies and have certain commitments about what makes movies good. I also try to make the things that I believe make good movies good mutually coherent and use this cobbled-together system to guide what I watch. When pressed on why I chose to see such-and-such movie, I list the reasons that I’ve integrated in this system to explain my actions. But I wasn’t always like this, nor do I think that most people are such snobs or spend so much of their time thinking about film. Rather, I think most people will just go see movies on the basis of what looks good without bothering to construct any coherent framework that unites everything that looks good to them. They might see the latest Transformers movie one weekend, then watch this year’s Oscar winner. When asked about both, they’ll be able to tell you what they like about it and might even retroactively use those features to explain why they went to see it in the first place (though that’s not necessary). In other words, they approach movies one at a time, making up their mind in the last minute as to what to see or to explain why they’re going to see it without some pre-existing theory that guides them. They’re, as it were, moderate when it comes to movie choice, but their moderation is not an antecedent force. The same, I think, holds for most voters.

So much for the first claim. What about the second? If it’s not ideological commitment that drives people’s choice in the voting booth, then what is? Part of the answer is, I think, similar to the one that goes to explain why people go see certain movies: it’s whatever looks good at the moment. To a certain extent this does have some ideological roots–what looks good to you will be a factor of what you believe is good, and what you believe is good may very well be some internalized ideology. However, I think there’s another explanation in the offing.

Namely, I think that a lot of voters don’t think of voting as an assertion of a will that represents a kind of fixed interest or preference, but rather, as a guessing game. In other words, I suspect that at least some portion of people view their vote as an attempt to guess who will be the winner of the contest.

I also don’t think this is an irrational position to take (from a certain angle). Consider the fact that everyone knows that in the primary a vote given to a losing candidate makes no difference at the end of the day. It is, in a sense, a wasted vote, and the time you spent in the voting booth is time wasted. Now, if you’re ideologically driven, this might not matter to you. But if you’re not so invested, it might matter a great deal to you. And if it does, then you might not want to waste your time with a vote that isn’t going to matter. Rather, your sole interest here might be that you guess who the winner is so that your time doesn’t end up being wasted retroactively (if your person wins, you didn’t waste your time; if they don’t, then you did).

Let me put this another way. Perhaps you’re only as invested in who the candidate you vote for is to the extent that there is someone who isn’t Trump that everyone else sufficiently like you can also agree. If this is the case, then what you really care about is this ultimate goal (for which you might have some pre-existing commitment, or you might not), and this proximate problem of who you choose is simply a stepping stone to the thing you care about. When deciding how to behave in light of this problem, you might very well reason with respect to what your immediate concern is: namely, that you don’t want this whole process to have been for nothing, and the easiest way to ensure that this is the case is to go with the person who would win anyway. Now, of course, this will sound offensive to anyone who holds ideological commitments. Such people will (rightly) insist that there’s a straightforward connection between who you choose now and who will be able to satisfy your ultimate goal of defeating Trump. But all that is irrelevant even if it is correct.

III. Manufactured Consensus

I think this consideration ends up being very important when we put everything together. Let’s suppose for a moment that the picture I’ve given of LMVs is accurate and that they primarily consist of people who don’t have fixed ideological commitments, who don’t pay too much attention to politics, and whose voting behavior is not driven by such commitments but rather by trying to guess who the winner of a contest will be. Combine this with the fact that two days before ST we had a slew of seemingly viable candidates drop out and immediately endorse Biden at the last minute and we have the following narrative: “The person most likely to win this primary has already shifted to Biden. Even people who were winning at one point are now saying that Biden would defeat them, so they’re jumping ship and endorsing his campaign. In other words, all the other people voting and their candidates are now lining up behind Joe’s campaign and the tide is turning. If you want to make sure that your vote isn’t wasted, you should vote for him too.”

What matters about this narrative is not that it’s true, but rather that it appears to be true for the kind of people who we described earlier. If they think it’s true, then reasoning as I assumed they do above, they will go into the voting booth and pick the person who they think is most likely to win. And, of course, by doing that, they make it the case that this person actually wins, which further bolsters the appearance of the narrative until, lo and behold, it becomes true.

In this light, Buttigeig and Klobuchar’s dropping out begins to take on a new hue since it is precisely the momentum they built for Biden right before election day, and the effect it had on LMVs that made the difference.

Of course, the other missing piece here is the favorable coverage the media provided for these actions and the way their reporting made it appear that the consolidation was already accomplished. I don’t mean to get conspiratorial here–the media can’t fail to report that these candidates are dropping out and endorsing Biden, but it’s simply by reporting the facts that they construct the narrative that influences the LMVs. So, I don’t think they’re entirely to blame here (I do, however, hold them responsible for the abysmal coverage they gave of the Sanders campaign at every step of the way; the fact that Sanders was never given clear status as a frontrunner by any publication–at least that I can think of–laid down the ground for the ‘Biden resurgent’ narrative to take hold).

It also matters, I think, that Warren stayed in the race despite the fact that it was obvious she wouldn’t have won (and indeed, as was shown, she did abysmally poor, losing even her home state), and that she never endorsed Sanders. I think it would have made some difference if she had dropped out prior to ST or immediately after and endorsed Sanders; the narrative would have been more confusing and more complicated. However, I don’t want to heap blame on Warren either. It’s possible that she was personally hurt by the scuffle between herself and Sanders, or even that she was offended by the behavior of Sanders’ supporters. If this is the case, then I can’t judge her decision as an individual. As a politician, however, I think the fracturing of the left wing of the Democratic Party and her silence as the centrists consolidated shows incredibly weak leadership, pettiness, and no actual commitment to progressive goals (if you drop your commitments to progressive ideas because of personal beef, you might be comprehensible as a person, but I don’t care for you as a political leader).

IV. Conclusion

In short, what sealed Sanders’ fate on Super Tuesday was the last minute endorsements by the centrists and the effects they had on last minute voters. As far as that is concerned, I think my analysis is pretty run-of-the-mill. Nevertheless, I think there have been some people who have come to the same conclusion but who have seen this as pointing to the fact that most Americans really weren’t ready for Sanders, that his message was too radical, or too alienating, or that he was in some sense disconnected with the dominant ideology of the moderate American voter. I’ve tried to argue–from the armchair–that this kind of reasoning might be mistaken, and that the portrait such people have of the moderate, last minute voter is just wrong. It seems to me more likely that such last minute voters are people who normally pay little attention to politics and who engage in voting as a kind of guessing game rather than as an act driven by ideological commitments. Whether the picture I’ve painted is accurate will depends on actual empirical studies, and I’ve been happy to acknowledge that. That being said, I don’t think the picture is absurd and may indeed be one that we should investigate.

If that picture is correct, then the failure of the Sanders campaign was not that it was too radical or that it alienated moderate voters. Rather, its failure is to be found in the fact that it did nothing–perhaps could do nothing–to alter the narrative that the centrists were able to put together overnight. To be sure, this is definitely a fault of the campaign and they should have been prepared to handle precisely this challenge. To that end, the Sanders campaign is not without fault. But it’s important to know what to blame it for.

New Full House: Mission to Mars

A long time ago in 2013 a young Pavel Nitchovski had a (literal) dream about starting a reboot of the show “Full House” which he watched frequently as a child. A couple of nights after that, with a couple of beers in him, he cranked out the first draft of the made-for-tv-movie “New Full House: Mission to Mars”. The original script was posted on his old blog, but has been recently found, recovered, and reposted here for the sake of posterity. To this day it remains the piece of writing of which he’s most proud of. Who knows? Maybe in these dark and uncertain times he’ll drop acts two and three…


NEW FULL HOUSE: MISSION TO MARS

A young blonde woman is waiting in line for her turn at the graduate adviser’s office in the Harvard department of astronomy. Her head is bent down, her attention completely dominated by her textbook. In the distance we hear a distant “Heads up!” as a Frisbee slams against the side of her head. She recoils in pain, looks up annoyed, and says: 

Stephanie: How rude! 

ROLL TITLE CREDITS

START DUBSTEP REMIX OF THE FULL HOUSE THEME SONG AS A MONTAGE OF STEPHANIE WANDERING AROUND CAMPUS PLAYS ON THE SCREEN. THE MONTAGE ENDS AS STEPHANIE WALKS INTO HER DORM ROOM

Scene 1: Stephanie slams the door to her dorm room. Her roommate Jamie stops working and looks up from her desk. Stephanie throws here backpack on the floor and plops face down on the bed.

Stephanie: What a day!

Jamie: What’s the matter? Did the brilliant Stephanie Tanner run out of space breakthroughs? Were all the mysteries of the universe solved today?

Stephanie: No, Jamie, the mysteries of the universe were NOT solved today. I have a problem with the experiment I’m running and my adviser just dropped a bomb on me…

Jamie: Okay, alright, tell me what happened.

Stephanie: You know how I’ve been trying to triangulate the source of carbon on the surface of Mars?

Jamie: [sarcastically] No, Stephanie, I’m not aware of the single greatest achievement of this or any other century. [pan to newspaper clipping of Stephanie receiving the Nobel Prize. Headline reads “World’s Youngest Scientist Finds Carbon on Mars”]

Stephanie: [ignoring her] Well, it turns out that the equipment that was shot up to Mars for the experiment has broken down. And the funding to the Harvard Astronomy program has been slashed once again so we can’t send anyone to fix it.

Jamie: Oh no…can’t you talk to NASA?

Stephanie: Jamie, you KNOW I can’t talk to NASA. Ever since they went private they’ve been less and less interested in science and more and more interested in trashy entertainment.

Jamie: Yeah, but it’s not like you’re just talking to anyone at NASA. After all, the current owner and president is…


Scene 2: CUT TO THE MOUTH OF A SCREAMING MAN IN A CENTRIFUGE

Uncle Jesse: HAAAAAAAAAAAVEEEEE MEEEEEEEEERRRRCCCCCCYYYYYYY!

CAMERA PANS OUT TO A WIDE SHOT OF THE CENTRIFUGE AS IT COMES TO A SLOW STOP. CUT TO CONTROL BOOTH.

Joey: Aaaaand, that’s a wrap!


HE GOES OUT TO THE CENTRIFUGE TO UNSTRAP JESSE

Jesse: Whoa, mama! That is the last time I ever let you convince me of anything, knucklehead! 

Joey: Yeah, yeah, yeah. I’ve heard that one before. You said that before we became radio DJs, you said that before we met the Beach Boys, and you said that before we decided to use our jingle royalty money to buy NASA. Where would we be now if we hadn’t done that? Still living in Danny’s house?

Jesse: [Recovering from the Centrifuge] Never mention that name to me again!

Joey: I’m sorry, Jesse. I didn’t mean to bring up old wounds. [pause] I’m sorry. But it’s been 8 years and he IS your brother in law…

Jesse: WAS my brother in law! WAS! He stopped being my brother in law when my sister died! And he stopped being my friend when he killed Rebecca and the kids!

Joey: Jesse, he didn’t kill Rebecca and the kids!

Jesse: Didn’t he? Look in my face and tell me that if he had replaced those smoke detectors in the attic Rebecca wouldn’t be alive today. Look at me and tell me that!

Joey: Jesse…

Jesse: Do you know what it’s like to come home and see your family burning alive? Do you know what it’s like to know that you have to live out the rest of your life alone?

Joey: We all lost something in that fire.

Jesse: Yeah, well I lost the most. And I have to live with that. And what did Danny lose? Nothing. Absolutely nothing! A house that was covered by insurance and some garbage! All of his kids survived. ALL OF THEM! Meanwhile I had to bury both of mine. 

Joey: I’m so sorry, Jesse. I really am. I…I just miss us is all. I miss the house. I miss the kids. Sometimes I just wonder if we couldn’t have that again.

Jesse: Fuck you, Joseph. [Storms out of the room]

Joey: [despondent] Well, you did it again, Joey. You really gotta learn when to CUT IT OUT.

CAMERA PANS OVER JOEY’S SHOULDER AND FOCUSES ON THE TELEVISION BEHIND HIM.


Scene 3A weatherman is battered by a hurricane. 

Weatherman: …WE CAN EXPECT THIS STORM TO GET WORSE BEFORE IT GETS BETTER! I’M BERT SMILING. BACK TO YOU IN NEW YORK, DANNY!

Danny Tanner: Thanks, Bert. Our thoughts and prayers are with the people of Miami. We’ll hear from you tomorrow. For everyone here at CNN, I’m Danny Tanner. Good Night, America.

THE CAMERA TURNS OFF AND THE LIGHTS GO DOWN. DANNY BEGINS TO TAKE OFF HIS MICROPHONE, A WOMAN APPROACHES HIM AND BEGINS TO REMOVE HIS MAKEUP. CUT TO DANNY ENTERING HIS DRESSING ROOM. HE SITS DOWN BY THE MIRROR AND POURS HIMSELF A HEFTY GLASS OF WHISKEY. HE TAKES A SIP, LOOKS AT HIMSELF IN THE MIRROR AND SIGHS.

Danny: Look at you, Tanner. What happened? [takes another sip] You’re living the dream, but you’re so alone…There was once a time when you had everything: a house, a girlfriend…a family. Now what do you have? A fat bank account, a coke habit, and daughters who won’t talk to you.

DANNY LOOKS DOWN AT HIS HANDS AND BEGINS TO TAKE OFF HIS SHIRT. AS HE DOES SO WE SEE THAT HIS WHOLE BODY IS COVERED IN HORRIBLE BURNS. DANNY SIGHS AS HE CHANGES OUT OF HIS CLOTHES IN SILENCE, WHISKEY IN HAND. 

CUT TO SEVERAL HOURS LATER, A DRUNK DANNY IS STUMBLING OUT OF A CAB. HE CAN BARELY MAKE IT UP TO HIS FANCY APARTMENT. AS HE UNLOCKS THE DOOR, HE PULLS OUT HIS PHONE AND DRUNKENLY DIALS SOMEONE.

Danny: Listen. Honey. It’s me, your dad. It’s Danny Tanner. GOOOOOD MOOOORNING, SAN FRANSISCO! HAHA! Hey. Look, I’m sorry DJ. I’m so sorry. I hope you’re happy. I really do because life is hard. And I did my best. Oh God, I’m so sorry! First your mother, then the fire! I could have done something more. [Danny is crying slumped against the wall.] I just couldn’t…I couldn’t get those kids out in time…I…I…I’m so sorry, DJ.

DANNY HANGS UP THE PHONE AND SLUMPS OVER IN A DRUNKEN STUPOR.CUT TO BLACK.


Scene 4: The morning sun rises over the San Francisco hills. Cut to the kitchen of a modern house. A woman in a bathrobe prepares breakfast and sets down bowls of cereal on the table. She calls down for her children and as she turns around we see a groggy, middle aged DJ Tanner. She picks up the phone and listens to her father’s message from the previous night. The kids come down and eat breakfast. Steve, DJ’s husband joins her in the kitchen. They both drink coffee standing up.



DJ: My dad called again.

Steve: Yeah. I saw that there was a message last night. I figured it was him.

DJ: He was drunk again.

Steve: Well, he’s always drunk. And and if we know anything it’s that Danny Tanner will be anal about everything. Even being an alcoholic.

DJ: That’s not funny.

Steve: I’m sorry, it’s just that it would be your father who would end up hitting the sauce! If there ever was a person who was straight laced, it was your dad.

DJ: Yes, well tragedy has a strange affect on people. Did I ever tell you what he did when my mom died?

Steve: No.

DJ: He stayed up for fifteen days just cleaning. Everything had to be clean. We took three showers a day and I swear he scrubbed every inch of that house with that damn toothbrush that he carried around at all times. He thought that if the house were perfect his life would be too.

Steve: How did you get him to stop?

DJ: I didn’t. He just stopped. I guess he realized that no matter how many times he polished the toilet, it wasn’t going to bring my mom back. And one day he was just down at the breakfast table, on a morning like this, dressed and shaved after weeks of neglect. We never brought it up.

Steve: Wow. That’s pretty scary, DJ…

DJ: Yeah. But we were kids. We were just glad to have our dad back. [takes a long sip of coffee]

Steve: Well I’m glad that I can be here for our kids. [he kisses DJ on the forehead] And who knows, he might snap out of this too. Tomorrow he might show up sober and put together at our doorstep.

DJ: Yeah…Maybe. Thanks for being here.

Steve: Of course. I love you.

[They hug. Steve catches his watch, realizes he’s running late and grabs a bagel to go. He ruffles his kids’ hair on the way out of the kitchen. Cut to DJ smiling–a tinge of sadness in her eye.]

[She checks up on the children then walks up the stairs and knocks on the door of what is obviously a teenager’s room.]

DJ: Michelle, hurry up and get ready, you’re gonna be late for school!

Michelle: [from inside] Just a minute, I’ll be down in a second!

[Cut to the inside of Michelle’s room. Michelle is opening a window while a young man is putting on his pants and shirt.]

Aaron: When can I see you again?

Michelle: I don’t know, Aaron, like today at school?

Aaron: No, I mean, when can I see you again?

Michelle: Oh, God. Just leave for now, we’ll figure it out later. This can’t keep happening. We’re gonna get caught eventually and I can’t afford to get kicked out of DJ’s house. I literally have no place to go.

Aaron: Yeah, that’s what you said last time though [he goes in for a kiss but Michelle pushes him away]

Michelle: GO!

[Aaron climbs out of the window, slides down the drain pipe and disappears down the street. Michelle closes the window and looks at her self in the mirror, fixing her hair. On her way down the stairs she walks past DJ’s children who are on their way out the door to catch the school bus that has just pulled up. She sits down at the counter and grabs a bagel.]

DJ: There you are.

Michelle: Don’t worry, I won’t be late. Plus, there’s nothing important happening today.

DJ: Michelle, I want you to take school more seriously. I know it’s your last year but it’s still possible to mess things up this late.

Michelle: God, I’m not gonna mess anything up, DJ! You seriously think I’m that big of a fuck up?

DJ: That’s not what I’m saying–

Michelle: Then don’t say that! 

DJ: I can’t talk to you when you’re like this.

Michelle: Good! I’m glad! [she gets up and grabs her things to storm out]

DJ: And Michelle…

Michelle: What?

DJ: If you sneak Aaron in one more time I will kick you out. Got it?

Michelle: You got it dude!

[Michelle storms out, slamming the front door]


Scene 5: Joey and Stephanie walk through the halls of NASA. Nerdy scientists bumble about with clipboards and glasses while Joey, dressed in his traditional khakis and Hawaiian shirt strolls confidently, admiring his possessions. Stephanie looks uncomfortable.

Joey: And that right there used to be a lunar landing module. But we converted into the confession room for “Fake My Moon Landing”. And that was the podium from which JFK made that speech about going into space. You know the one. Well, now it’s where we keep the peanuts. [He reaches over and eats a handful] You’ve gotta have peanuts on hand if you’re gonna be running a space and entertainment program.

Stephanie: It’s all…very nice, Joey. 

Joey: Here, let’s go into my office.

[Joey opens the door to a lavishly decorated office. Hockey paraphernalia lines every inch of the walls. In the center is a giant pinball machine that doubles as a desk.]

Joey: Isn’t this crazy!? Here, grab a bean bag chair.

[They both sit]

Joey: Gosh, it’s so good to see you kiddo. How long has it been since we’ve seen each other?

Stephanie: Eight years.

Joey: Eight years…yeah…It doesn’t feel like that long. Maybe it’s because I keep seeing your face on the cover of newspapers. “The World’s Youngest Scientist.” Do you remember that time you drove my car into the kitchen? Who would believe that ‘the world’s youngest scientist’ had driven my car through the kitchen?

Stephanie: Haha…yeah, I remember. I thought you would never forgive me for that.

Joey: But I did. That’s what family does. Eight years…

[silence]

Stephanie: Yeah.

Joey: Okay, so I assume you didn’t come here to marvel at my office or listen to an old man remember better days. Is that correct?

Stephanie: It’s good to see you Joey, but I have a problem. 

Joey: Shoot.

Stephanie: As you may know, the Harvard Astronomy department is extremely underfunded. Ever since it was scientifically proven that our Universe is a pebble resting on the shell of a turtle, people have become disenchanted with space exploration and have become more and more interested in turtle studies. Money for spaceships has declined as money for turtle care has increased exponentially.

Joey: Yes. I figured as much. 

Stephanie: Well I for one still care about space. If it’s true that we’ve always been on the back of that damn turtle, then nothing’s really changed. Jupiter is still out there, Mars is still out there–it’s just that now they’re resting on something else.

Joey: Okay, this sounds very sad, but I still don’t understand why you came to me. I can’t undo a discovery, Steph; no matter how many jingles I write.

Stephanie: I don’t need you to write a jingle. I need your space command center.

Joey: What, NASA? 

Stephanie: Yes, NASA! I am so close to finishing the experiment on Mars! If I can fix the equipment that broke down and find the source of Carbon then I’m sure I’ll be able to get a tenured job at Oklahoma State University!

Joey: But, Steph, NASA doesn’t even really do space stuff anymore…sure, we’ve got the equipment and everything. We’ve even got the last functioning rocket capable of landing people on Mars, but…

Stephanie: But what? 

Joey: Well, for one, we don’t have the people.

Stephanie: What are you talking about? We passed like a hundred people on the way to your office, all carrying clipboards and running calculations.

Joey: [dejected] Those are all hired actors. I wanted you to be impressed. There are only two scientists that work here full time and a rocket polisher to make sure that our Mars rockets is fully operational. I wanted you to be impressed.

Stephanie: Wow. Well that IS impressive.

Joey: [still dejected] That’s not a real bean bag chair you’re sitting in either. It’s just a garbage bag that I filled with company beans…

Stephanie: Okay, that explains the weird feeling. But that doesn’t matter. I HAVE people. I have the entire Harvard Space Program. They can come down here on a moment’s notice and run turn the whole place into a fully functioning space command center once again. I just need your go ahead.

Joey: There’s another matter. I’m not sole owner of the company. We’d have to ask Jesse. 

[Jesse enters, wearing a leather jacket and cutting slices from an apple with a pocket knife]

Jesse: Ask me what?

Joey: Oh Jesse, you startled us!


Stephanie: Hi, Uncle Jesse!

Jesse: Hey Kiddo! [they hug] Watch the hair, huh?

Stephanie: Nothing changes, does it? Even after eight years you’re still in love with your hair.

Jesse: Well I can’t comb it as well as I could back in the day and I’ve got a couple of more grays, but I suppose, on the whole, you’re right per se. Nothing changes. It’s good to see you. How’s space science?

Stephanie: That’s actually why I’m here. I need NASA. I need your rocket to Mars to complete my experiment and secure my name in the annals of history.

Joey: Ew, why would you wanna go there?

Jesse and Stephanie: Joey!

Jesse: But didn’t Joey tell you? We don’t do space science at NASA anymore. It’s mostly space-related reality shows and a place to get inspiration for our space themed jingles. Did you here the one about the Space Saver bags? That was written in a NASA toilet!

Stephanie: That’s precisely what Joey was telling me, but like I told him, I can turn this into a fully functioning space station with my people. I just need your go-ahead.

Joey: I told her we’d need to ask you.

Jesse: Okay, I understand what you need. But there’s something we need too: money. If we let all of your scientist friends in here we won’t be able to film any of our hit shows or write any of our jingles. How are we supposed to make a profit then?

Stephanie: I hadn’t thought about that…

Joey: Well, wait a minute, Jesse. Maybe we CAN make money AND help Stephanie out.

Jesse: And how do you propose we do that, huh? 

[Joey comes around to Jesse’s side. He puts his arm around him and looks out into the distance, motioning with his hand]

Joey: A reality show: about Stephanie. The ‘world’s youngest scientist’ going to Mars! We’ll film every step of the way. Her struggles, her fears, her career on the line. And every single penny will come back to our production company. That’s a million dollar idea!

Jesse: Yes, yes! I can see it! Joseph, you brilliant knucklehead!

Stephanie: I would do it. I would do it for science.

Joey: There’s only one catch. 

Jesse and Stephanie: Uh-oh…

Joey: I want the whole family to be involved. Everyone must go to Mars.

Jesse: Joey…

Joey: I mean it. 

Jesse: I won’t share a city with that jackal Danny Tanner, and I certainly will NOT share a rocket and space station on Mars with him!

Stephanie: Uncle Jesse…

Jesse: No, you don’t understand! He murdered my children! MY children! Why the hell would we all have to go?

Joey: [Aside to Jesse] I know, Jesse, I know. But it only makes sense. You and I are the only ones who really can have a handle on the situation. Financially. And you KNOW that this would make for good TV. Think about it: we can either have a show about a scientist doing her thing or we can have a show about a scientist, her drunken father, and his estranged daughters…ON MARS! You know we’ll never have this kind of opportunity and you KNOW nobody else would agree to do this.

Jesse: I don’t know, Joey.

Joey: Think of the money, Jesse. Think of the money. And you’d never have to see Danny. You can be in another space room the whole time. He’ll be forbidden from communicating with you.

Jesse: Promise me. Promise me, Joey, that if I agree to this I’ll never see his smarmy face.

Joey: I promise.

Jesse: [pause] Okay, I’m in.

Joey: Great! Steph, what about you? Are you in?

Stephanie: If this is the only way that I can complete my work, then I’ll do it. For science.

Joey: It’s the only way we’ll make our money back.

Stephanie: Then I don’t have much choice in the matter. 

Joey: Great, I say this is reason to celebrate! Let’s go out for a drink! Finally, we can see some money flowing into this space command station…

[as Joey closes the door behind him he whispers to himself]

…and finally we’ll have our full house together again. 

END OF ACT ONE